Such was the man who continually urged upon me the necessity of compiling some such work as that which now lies before the reader. He had himself intended to produce a similar volume, and had he done so I should never have dared to enter the same field; but I feel that in his present incapacity I am, as it were, fulfilling a duty when I trace in these few pages the plan which he so constantly counselled, and with such a man counsels were commands. If I may be permitted to dwell upon the feature more especially his own in this Guide, I will point to the section “On Vivid Historical Literature in its Application to Modern Problems,” and furthermore, to the section “On the Criticism and Distinction of Works Attributed to Classical Authors.” In the latter case the examples chosen were taken from his own large collection; for it was a hobby of his to purchase as bargains manuscripts and anonymous pamphlets which seemed to him to betray the hand of some master. Though I have been compelled to differ from my friend, and cannot conscientiously attribute the specimens I have chosen to William Shakespeare or to Dean Swift, yet I am sure the reader will agree with me that the error into which Dr. Caliban fell was that of no ordinary mind.
Finally, let me offer to his family, and to his numerous circle, such apologies as may be necessary for the differences in style, and, alas, I fear, sometimes in mode of thought, between the examples which I have chosen as models for the student and those which perhaps would have more powerfully attracted the sympathies of my preceptor himself. I am well aware that such a difference is occasionally to be discovered. I can only plead in excuse that men are made in very different ways, and that the disciple cannot, even if he would, forbid himself a certain measure of self-development. Dr. Caliban’s own sound and broad ethics would surely have demanded it of no one, and I trust that this solemn reference to his charity and genial toleration will put an end to the covert attacks which some of those who should have been the strongest links between us have seen fit to make in the provincial and religious press.
DIVISION I.
REVIEWING.
REVIEWING.
The ancient and honourable art of Reviewing is, without question, the most important branch of that great calling which we term the “Career of Letters.”
As it is the most important, so also it is the first which a man of letters should learn. It is at once his shield and his weapon. A thorough knowledge of Reviewing, both theoretical and applied, will give a man more popularity or power than he could have attained by the expenditure of a corresponding energy in any one of the liberal professions, with the possible exception of Municipal politics.
It forms, moreover, the foundation upon which all other literary work may be said to repose. Involving, as it does, the reading of a vast number of volumes, and the thorough mastery of a hundred wholly different subjects; training one to rapid, conclusive judgment, and to the exercise of a kind of immediate power of survey, it vies with cricket in forming the character of an Englishman. It is interesting to know that Charles Hawbuck was for some years principally occupied in Reviewing; and to this day some of our most important men will write, nay, and sign, reviews, as the press of the country testifies upon every side.