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The next two panels ([55] and [56]) are very interesting because they show by what conventions the artist expresses the act of deployment. As long as the cavalry are marching in column of route he puts each figure only slightly overlapping the next, and suggests a walking space for the mounts; to express deployment or formation into a broad column of attack, as he has not the mastery of perspective, he puts the horses at the gallop and separates them much further one from the other.
57
58
59