LECTOR. Yes, indeed.
AUCTOR. Indeed, yes.
93
PLAYS WITHOUT WORDS
LECTOR. I cannot go on like this.
AUCTOR. There. That is just what I was saying. One cannot treat of common things: it is not literature; and for my part, if I were the editor even of a magazine, and the author stuck in a string of dialogue, I would not pay him by the page but by the word, and I would count off 5 per cent for epigrams, 10 per cent for dialect, and some quarter or so for those stage directions in italics which they use to pad out their work.
So. I will not repeat this experiment, but next time I come to a bit of road about which there is nothing to say, I will tell a story or sing a song, and to that I pledge myself.
By the way, I am reminded of something. Do you know those books and stories in which parts of the dialogues often have no words at all? Only dots and dashes and asterisks and interrogations? I wonder what the people are paid for it? If I knew I would earn a mint of money, for I believe I have a talent for it. Look at this--
