Shouts of laughter filled the air; the negro mammy and the gigantic infant, together with the wheelbarrow and the feeding bottle, were holding the stage at the end of the spacious sitting room. Slim was being given his birthday presents and was surrounded with nonsensical articles of every kind—toys, rattles, all-day suckers, and so forth, and was convulsing the crowd with his antics.
The merriment went on until somebody called for Veronica to play on her violin and she came downstairs with her violin in her hands. Then a hush fell on the crowd, and the merrymakers listened, spellbound and dreamy-eyed, to the strains which the passionate-eyed little Hungarian girl drew from the fiddle resting so caressingly in the hollow of her shoulder.
It was a plaintive, melancholy melody she played first, throbbing with unsatisfied longing and quivering with pain and heartbreak. Sahwah shivered and thought of ice cold rain drops falling on long dead leaves, and the restless unhappiness seized upon her again. The melody wandered on, and in its weird minor thirds there seemed to be all the anguish of an oppressed people, hopeless of release from bondage; condemned to toil in darkness forever.
Then a new note crept into the music, a note of protest, of rebellion. Fury took the place of hopelessness; dumb resignation gave way to angry stirrings. Fiercely the storm raged for a moment, and then subsided into feeble murmurs, and flickered out into hopelessness again, blacker and deeper than before. Then came flight, sudden and headlong, hurried and confused; and days of wandering by land and sea, hours of loneliness and homesickness, of mingled hope and fear, of faith and perplexity, ending in a magnificent hymn of thanksgiving and praise for deliverance. It made Sahwah think of the persecuted Jews in Russia, fleeing from a massacre and coming to America for refuge.
But now the music had taken a gayer, brighter turn. Everywhere there was the hum of industry, a contented sound like the buzzing of bees intent upon gathering honey. Songs of happiness rose on every side, mingled with the sound of joyful feet passing in a gay dance. The music took on an irresistible lilt; the feet of the listeners itched to join in the measure and tapped out the time involuntarily.
Suddenly the dance turned into marching, the earth resounded with the tramp, tramp of advancing feet, the music became a martial strain; it stirred the blood to fever heat and set the pulses leaping madly. Louder and more triumphant swelled the strain, louder came the tramp of the victorious armies following in the wake of trumpets, until the whole earth seemed to mingle its voice in one great shout of victory.
Without knowing it the listeners were on their feet, clutching each other with tense fingers, their eyes blurred with tears, their throats aching with emotion, their hearts burning to perform deeds of valor for their country, to fight to the last ditch, to die as heroes for their native land.
They hardly realized when Veronica had stopped playing and slipped quietly out of the room.
"God, what playing!" breathed Mr. Wing to the artist. "Music like that would turn cowards into heroes and heroes into demi-gods; would inspire a wooden dummy to fight to the last ditch for freedom and native land. Daggers and Dirks! What a red-hot little American she is! Why, if a dead man heard her play the 'Star Spangled Banner' the way she just played it, he'd rise up to protect his country. Yes, and his very monument would shoulder a gun and get into the ranks against the foe!"
Refreshments were brought in and the babel of tongues broke loose again. Everyone asked for Veronica, wanted to sit beside her and tell her what a wonderful genius she was, but she was nowhere to be found. Grandmother Wing came in presently and said that Veronica had slipped out and gone home because she had a sick headache and wanted to be alone.