Two pieces of fine white linen, each 11 inches square, should be ready, nicely washed and ironed. The linen is to be stretched over two of the boards, the embroidered silk over one, and the plain silk, for the back, on the other. It can be done either by taking long stitches from one edge of the stuff to the other, right across the boards, or by means of a very small quantity of embroidery-paste on the inside of the turnings. Then each linen-covered board is placed with a silk-covered one, and the two sewn together with the finest stitches of over-sewing, in white thread or silk. After this the linen-faced sides are placed together, the silk being outside, and the two sets of board are joined at the left side by means of four or five tiny hinges, worked strongly through the silk and inner lining, in buttonhole stitch of the same colour as the cover.

Fig. VIII.—St. Lawrence (after Fra Angelico)

Some people make the back and front all in one piece of silk, but this is not so convenient either to work or to make up. There is more difficulty in getting the design exactly in the middle and straight on the boards; there is, besides, a constant strain afterwards on that edge of the silk which acts as a hinge every time it is opened and shut.

Another diversity in the way of making up a burse is the letting in of side-pieces, like a purse or pocket-book. This also is difficult to do neatly, and is inconvenient in use; but where it is preferred it may be made less awkward by setting in a straight-edged piece of linen instead of a ‘gusset-shaped’ one, covering it with silk like the burse-cover, and stitching it firmly into a pleat before joining the two boards together. It will then more readily keep in place, and if it bulges when in use it will not look so slovenly as it does when the side-pieces are of linen alone. Many of the old burses were sewn up closely along three sides, with the fourth only left open, but this is obviously inconvenient.

Fig. IX.—Diagram showing dimensions of Dalmatic

Corporal-case or Burse. (Italian, Sixteenth Century.) From a drawing, size about 10 in. square