* The Art Workers’ Quarterly.
* Burlington.
* Home Art Work.
* Studio.
Transactions of St. Paul’s Ecclesiological Society. Vols. I. and II. especially.
INDEX
- Albe, an ancient, [86]
- apparels of, [86]
- how to make, 8[6]
- insertion on old, [87]
- modern, [87-88]
- origin of, [85]
- symbolism of, [53]
- Almsbags, [67]
- Altar, keynote of decoration, [39-40]
- linen required for, [79]
- Altar-cloth band, [79-80]
- fair linen, [79]
- Altar-frontal, [39]
- early English, [40]
- to make up, [40-47]
- Amice, apparel of, [88]
- of St. Thomas of Canterbury, [88]
- origin of, [88]
- symbolism of, [53]
- Apparels, [57]
- of albe, [86]
- of amice, [88]
- of dalmatic, [24], [57]
- Appliqué, [21]
- examples of, [22-24]
- method of cutting, [26]
- to prepare, [25]
- uses of, [25]
- Apron necessary, [16]
- Back-stitching, [76]
- Banners, [65]
- appliqué suitable for, [25]
- design for, [64]
- Basket-stitch, [12]
- Book-covers, [67]
- Book-markers, [68]
- Books, care of, [84]
- Brocade, [3]
- Burse, [58], [62]
- to make, [58], [61]
- Buttonhole-filling, [75]
- Buttonhole-stitch, [74]
- Canvas-stitch, [77]
- Chain-stitch, [27]
- Chalice-veil (linen), [83]
- (silk), [58]
- design for, [83]
- specimen of, [63]
- Chasuble, early English examples, [55]
- from Harleian MSS., [55]
- how to make, [56]
- of St. Ignatius of Loyola, [54]
- of St. Thomas of Canterbury, [58]
- origin of, [55]
- ornament of, ‘flower,’ [56], [59]
- symbolism of, [53]
- Cherub, early English, [45]
- Cingulum or girdle, [53], [85]
- Clavi, [57]
- Cloth, linen and woollen, [3]
- of gold, [3], [9]
- Colours, [2]
- isolation of, [21]
- liturgical, [39]
- modification of, [10]
- washing, [16]
- Cope, measurements of, &c., [49]
- the, [49]
- to make up, [50]
- Coptic embroidery, [28]
- Corporals, case or burse, [58-62]
- pair of, [83]
- Couching (gold), [9]
- (silk), [15]
- compared with laid-work, [15], [19]
- Counter-change, [26]
- Credence cloth, [85]
- Crewel-stitch, [20]
- Cross-stitch, [76-77]
- like Lacis, [77]
- Curtains, principles to be observed in hanging, [40]
- Cut-linen, [82]
- Dalmatic, [57]
- apparels of, [24], [57]
- Clavi, [57]
- diagram of, [61]
- Damask, [3]
- Darning, [20], [21]
- on drawn-thread, [79], [82]
- Decoration, futile, [2]
- of ancient copes, usual arrangement of, [50]
- some principles of, [2]
- Design, colour-scheme in, [2]
- Designers for ecclesiastical art, [2]
- Designs, to transfer, [6-7]
- D’or nué, [34], [36]
- Drawing necessary for figure-work, [29]
- Emblems, [96]
- Embroidery, definition of, [1]
- English, [1]
- in gold, [9-13]
- in linen, [72-77]
- in silks, [15]
- paste, [25]
- ‘Eye’ of a curve, [74]
- ‘Fair-linen Cloth,’ [79]
- Fanon or maniple, [53]
- Feather-stitch, [75]
- Figure-embroidery, [28-37]
- Florentine, [35]
- from frontal of St. Thomas (à Becket) of Canterbury, Salisbury, [33]
- from Syon cope, [31]
- imitation of, [91]
- three methods of, [34]
- Filling, buttonhole, [75]
- chain-stitch, [27]
- stitches suitable for, [74-76]
- Floss-silk, embroidery in, [15-20]
- how to use, [16]
- Flower, ornament called the, [59]
- Flowers, early English conventional, [42-44]
- Frames, altar-frontals stretched on, [47]
- embroidery, [4-6]
- how to mount for embroidery, [6]
- making up, [41]
- position of worker at, [5]
- French knots, [27]
- Fringe, importance of, [46]
- washing of, [82]
- Frontal, altar-, [39]
- early English, [40]
- how to make up, [40-47]
- keynote as to colour, &c., [39]
- size, [40]
- Garments in embroidery, treatment of, [29], [30], [32], [91]
- liturgical, [53]
- Girdle of silk at Sarum, [85]
- the, use and symbolism of, [53]
- Gold, cloth of, [3], [9]
- d’or nué, [34], [36]
- embroidery, [9-13]
- raised work, [12]
- stitches useful for, [10], [11]
- thread, different kinds of, [3-4]
- Hands, special care of the, [16]
- Hangings, various, [40]
- Herring-bone-stitch, [75]
- close, [76]
- Swiss, [76]
- Herse-cloth or pall, [66], [67], [71]
- colour of, [67]
- History of embroidery, [1]
- Houseling-cloth, [84]
- Imitations condemned, [2], [91]
- Inlay, [26]
- Insertion, [86], [87]
- Kneelers, [68]
- Lace suitable for linen, [82]
- Lacis, [77]
- Laid-work, [15-19]
- compared with couching, [15], [19]
- Lavabo towels, [84]
- Light, arrangement of, [5]
- Linen, altar, [79]
- coloured, [3]
- coloured embroidery on white, [80]
- corporal, [83]
- ‘cut,’ [82]
- drawn-thread, [79-82]
- embroidery, principal stitches, [73-77]
- fringe, to wash, [82]
- vestments, [85]
- Linen-work, materials for, [73]
- sampler, [72]
- Lines, ‘Sympathetic,’ [76]
- Long- and short-stitch, [17]
- Maniple, origin and symbolism of, [53]
- shape and size of, [53-55]
- the, [53]
- Materials for backgrounds, [3]
- for embroidery, [3-5]
- for linen-work, [73]
- Mitre, [51-52]
- of St. Thomas of Canterbury, [51]
- Needles, [4]
- to improve, [4]
- ‘Opus Anglicanum,’ [32]
- Outline, [21]
- principle of, [21]
- secondary, [23]
- Padding in gold-work, [12]
- in linen-work, [74]
- Pall or herse-cloth, [66], [67]
- linen, [83-84]
- Parchment, use of, [12], [52]
- Paste, embroidery, to make, [25]
- Plate, [13]
- Plumage-stitch, [17]
- Principles, a few—
- of colour, [21]
- of decoration, [2]
- of embroidery as art, [1]
- of proportion, [47], [66]
- Pulpit-hanging, [70]
- Purificators, [84]
- Radiation, principle of, [17]
- Relief, high, [12], [74]
- exaggerated, [30]
- Rochet, [89]
- Saint Ignatius of Loyola, [54]
- Thomas of Canterbury’s amice, [88]
- apparel, [88]
- chasuble, [58]
- mitre, [51]
- Sampler for gold-work, [8]
- for linen-work, [72]
- for silk-work, [14]
- Shades of floss-silk, [2-15]
- in old work, [36]
- Shading, [15], [16]
- Silk and satin, [3]
- embroidery, [15]
- embroidery compared with linen, [74]
- Silks, embroidery, [4]
- Soap, carbolic, &c., to avoid, [16]
- Stitches—Back-stitch, [76]
- basket-stitch, [12]
- buttonhole, [74]
- canvas or cushion, [77]
- chain, [27]
- couching, [9], [10], [11], [15], [61]
- cross, [76]
- drawn-thread, [81]
- feather, [75]
- French knots, [27]
- herring-bone, [75]
- laid-stitch, [15-19]
- nué (d’or), [34], [36]
- open-worked cross-stitch, [77]
- satin, [16], [17], [18]
- linen, [74]
- short, [17], [34]
- slanting, [20]
- split-stitch, [18], [29], [30], [32], [36]
- Stole, origin and symbolism of the, [53]
- shape and design, [55]
- size of the, [53]
- Stuffing-cotton, [12]
- Sudaries, [84]
- Super-frontal or frontlet, [46]
- Surplice, ancient, [89]
- diagram, [90]
- Dr. Rock’s pattern, [90]
- how to make, [89]
- modern, [89]
- Symbols, [96]
- ‘Sympathetic lines,’ [76]
- Syon cope, arrangement of design, [32]
- background of, [37]
- colours of, [32]
- figure from the, [31]
- gold-work of, [36]
- method of work, [36]
- Toga, Roman, [49]
- Towels, Lavabo, [84]
- Trabea, [49]
- Tunicle, [57]
- Veil, chalice (silk), [58], [63]
- (linen), [83]
- humeral, [84]
- offertory, [84]
- Velvet, [3]
- Vestments, Eucharistic, [53]
- colours of, [39], [53]
- symbolism of, [53]
- linen, [85-90]
- of Walter de Cantelupe, fragments of, [30]
- ‘white shining,’ [85]
- White linen, decoration of, [73], [74]
- Worcester, bishop’s tomb at, [56]
- fragment of vestments, [30]