"Be kind and courteous to this gentleman;
Hop in his walks, and gambol in his eyes;
Feed him with apricocks and dewberries,
With purple grapes, green figs, and mulberries;
The honey-bags steal from the humble-bees,
And for night-tapers crop their waxen thighs
And light them at the fiery glow-worm's eyes,
To have my love to bed and to arise;
And pluck the wings from painted butterflies
To fan the moonbeams from his sleeping eyes....
Come, wait upon him; lead him to my bower.
The moon, methinks, looks with a watery eye;
And when she weeps, weeps every little flower,
Lamenting some enforced chastity.
Tie up my love's tongue, bring him silently."[733]

It was necessary, for her love brayed horribly, and to all the offers of Titania, replied with a petition for hay. What can be sadder and sweeter than this irony of Shakespeare? What raillery against love, and what tenderness for love! The sentiment is divine; its object unworthy. The heart is ravished, the eyes blind. It is a golden butterfly, fluttering in the mud; and Shakespeare, whilst painting its misery, preserves all its beauty:

"Come, sit thee down upon this flowery bed,
While I thy amiable cheeks do coy,
And stick musk-roses in thy sleek smooth head,
And kiss thy fair large ears, my gentle joy....
Sleep thou, and I will wind thee in my arms....
So doth the woodbine the sweet honeysuckle
Gently entwist; the female ivy so
Enrings the barky fingers of the elm.
O, how I love thee! how I dote on thee!"[734]

At the return of morning, when

"The eastern gate, all fiery red,
Opening on Neptune with fair blessed beams,
Turns into yellow gold his salt green streams,"[735]

the enchantment ceases, Titania awakes on her couch of wild thyme and drooping violets. She drives the monster away; her recollections of the night are effaced in a vague twilight:

"These things seem small and undistinguishable,
Like far-off mountains turned into clouds."[736]

And the fairies

"Go seek some dew drops here
And hang a pearl in every cowslip's ear."[737]

Such is Shakespeare's fantasy, a slight tissue of bold inventions, of ardent passions, melancholy mockery, dazzling poetry, such as one of Titania's elves would have made. Nothing could be more like the poet's mind than these nimble genii, children of air and flame, whose flights "compass the globe" in a second, who glide over the foam of the waves and skip between the atoms of the winds. Ariel flies, an invisible songster, around shipwrecked men to console them, discovers the thoughts of traitors, pursues the savage beast Caliban, spreads gorgeous visions before lovers, and does all in a lightning-flash: