This entanglement wearies us, but what a force and dash is there in this well-considered and complete thought! Truth thus supported on all its foundations can never be shaken. Rhetoric is absent. There is no art here; the whole oratorical art consists in the desire thoroughly to explain and prove what he has to say. He is even unstudied and artless; and it is just this ingenuousness which raises him to the antique level. We may meet with an image in his writings which seems to belong to the finest period of Latin simplicity and dignity:
"The middle, we may observe, and the safest, and the fairest, and the most conspicuous places in cities are usually deputed for the erections of statues and monuments dedicated to the memory of worthy men, who have nobly deserved of their countries. In like manner should we in the heart and centre of our soul, in the best and highest apartments thereof, in the places most exposed to ordinary observation, and most secure from the invasions of worldly care, erect lively representations of, and lasting memorials unto, the divine bounty."[527]
There is here a sort of effusion of gratitude; and at the end of the sermon, when we think him exhausted, the expansion becomes more copious by the enumeration of the unlimited blessings amidst which we move like fishes in the sea, not perceiving them, because we are surrounded and submerged by them. During ten pages the idea overflows in a continuous and similar phrase, without fear of crowding or monotony, in spite of all rules, so loaded are the heart and imagination, and so satisfied are they to bring and collect all nature as a single offering:
"To him, the excellent quality, the noble end, the most obliging manner of whose beneficence doth surpass the matter thereof, and hugely augment the benefits: who, not compelled by any necessity, not obliged by any law (or previous compact), not induced by any extrinsic arguments, not inclined by our merits, not wearied with our importunities, not instigated by troublesome passions of pity, shame, or fear (as we are wont to be), not flattered with promises of recompense, nor bribed with expectation of emolument, thence to accrue unto himself; but being absolute master of his own actions, only both lawgiver and counsellor to himself, all-sufficient, and incapable of admitting any accession to his perfect blissfulness; most willingly and freely, out of pure bounty and good-will, is our Friend and Benefactor; preventing not only our desires, but our knowledge; surpassing not our deserts only, but our wishes, yea, even our conceits, in the dispensation of his inestimable and unrequitable benefits; having no other drift in the collation of them, beside our real good and welfare, our profit and advantage, our pleasure and content."[528]
Zealous energy and lack of taste; such are the features common to all this eloquence. Let us leave this mathematician, this man of the closet, this antique man, who proves too much and is too eager, and let us look out amongst the men of the world him who was called the wittiest of ecclesiastics, Robert South, as different from Barrow in his character and life as in his works and his mind; armed for war, an impassioned royalist, a partisan of divine right and passive obedience, an acrimonious controversialist, a defamer of the dissenters, a foe to the Act of Toleration, who never avoided in his enmities the license of an insult or a foul word. By his side Father Bridaine,[529] who seems so coarse to the French, was polished. His sermons are like a conversation of that time; and we know in what style they conversed then in England. South is not afraid to use any popular and impassioned image. He sets forth little vulgar facts, with their low and striking details. He never shrinks, he never minces matters; he speaks the language of the people. His style is anecdotic, striking, abrupt, with change of tone, forcible and clownish gestures, with every species of originality, vehemence, and boldness. He sneers in the pulpit, he rails, he plays the mimic and comedian. He paints his characters as if he had them before his eyes. The audience will recognize the originals again in the streets; they could put the names to his portraits. Read this bit on hypocrites:
"Suppose a man infinitely ambitious, and equally spiteful and malicious; one who poisons the ears of great men by venomous whispers, and rises by the fall of better men than himself; yet if he steps forth with a Friday look and a Lenten face, with a blessed Jesu! and a mournful ditty for the vices of the times; oh! then he is a saint upon earth: an Ambrose or an Augustine (I mean not for that earthly trash of book-learning; for, alas! such are above that, or at least that's above them), but for zeal and for fasting, for a devout elevation of the eyes, and a holy rage against other men's sins. And happy those ladies and religious dames, characterized in the 2d of Timothy, ch. III. 6, who can have such self-denying, thriving, able men for their confessors! and thrice happy those families where they vouchsafe to take their Friday night's refreshments! and thereby demonstrate to the world what Christian abstinence, and what primitive, self-mortifying rigor there is in forbearing a dinner, that they may have the better stomach to their supper. In fine, the whole world stands in admiration of them; fools are fond of them, and wise men are afraid of them; they are talked of, they are pointed at; and, as they order the matter, they draw the eyes of all men after them, and generally something else."[530]
A man so frank of speech was sure to commend frankness; he has done so with the bitter irony, the brutality of a Wycherley. The pulpit had the plaindealing and coarseness of the stage; and in this picture of forcible, honest men, whom the world considers as bad characters, we find the pungent familiarity of the "Plain Dealer":
"Again, there are some, who have a certain ill-natured stiffness (forsooth) in their tongue, so as not to be able to applaud and keep pace with this or that self-admiring, vain-glorious Thraso, while he is pluming and praising himself, and telling fulsome stories in his own commendation for three or four hours by the clock, and at the same time reviling and throwing dirt upon all mankind besides.
"There is also a sort of odd ill-natured men, whom neither hopes nor fears, frowns nor favours, can prevail upon, to have any of the cast, beggarly, forlorn nieces or kinswomen of any lord or grandee, spiritual or temporal, trumped upon them.
"To which we may add another sort of obstinate ill-natured persons, who are not to be brought by any one's guilt or greatness, to speak or write, or to swear or lie, as they are bidden, or to give up their own consciences in a compliment to those who have none themselves.
"And lastly, there are some, so extremely ill-natured, as to think it very lawful and allowable for them to be sensible when they are injured or oppressed, when they are slandered in their good names, and wronged in their just interests; and withal, to dare to own what they find, and feel without being such beasts of burden as to bear tamely whatsoever is cast upon them; or such spaniels as to lick the foot which kicks them, or to thank the goodly great one for doing them all these back favours."[531]
In this eccentric style all blows tell; we might call it a boxing-match in which sneers inflict bruises. But see the effect of these churls' vulgarities. We issue thence with a soul full of energetic feeling; we have seen the very objects, as they are, without disguise; we find ourselves battered, but seized by a vigorous hand. This pulpit is effective; and indeed, as compared with the French pulpit, this is its characteristic. These sermons have not the art and artifice, the propriety and moderation of French sermons; they are not like the latter, monuments of style, composition, harmony, veiled science, tempered imagination, disguised logic, sustained good taste, exquisite proportion, equal to the harangues of the Roman forum and the Athenian agora. They are not classical. No, they are practical. A big workman-like shovel, roughly handled, and encrusted with pedantic rust, was necessary to dig in this coarse civilization. The delicate French gardening would have done nothing with it. If Barrow is redundant, Tillotson heavy, South vulgar, the rest unreadable, they are all convincing; their sermons are not models of elegance, but instruments of edification. Their glory is not in their books, but in their works. They have framed morals, not literary productions.