"I profess, in the sincerity of my heart that I have not the least personal interest in endeavouring to promote this necessary work, having no other motive than the public good of my country, by advancing our trade, providing for infants, relieving the poor, and giving some pleasure to the rich. I have no children by which I can propose to get a single penny; the youngest being nine years old and my wife past child-bearing."[734]
Much has been said of unhappy great men, Pascal, for instance. I think that his cries and his anguish are faint compared to this calm treatise.
Such was this great and unhappy genius, the greatest of the classical age, the most unhappy in history, English throughout, whom the excess of his English qualities inspired and consumed, having this intensity of desires, which is the main feature of the race, the enormity of pride which the habit of liberty, command, and success has impressed upon the nation, the solidity of the positive mind which habits of business have established in the country; precluded from power and action by his unchecked passions and his intractable pride; excluded from poetry and philosophy by the clear-sightedness and narrowness of his common-sense; deprived of the consolations offered by contemplative life, and the occupation furnished by practical life; too superior to embrace heartily a religious sect or a political party, too narrow-minded to rest in the lofty doctrines which conciliate all beliefs, or in the wide sympathies which embrace all parties; condemned by his nature and surroundings to fight without loving a cause, to write without taking a liking to literature, to think without feeling the truth of any dogma, warring as a condottiere against all parties, a misanthrope disliking all men, a sceptic denying all beauty and truth. But these very surroundings, and this very nature, which expelled him from happiness, love, power, and science, raised him, in this age of French imitation and classical moderation, to a wonderful height, where, by the originality and power of his inventions, he is the equal of Byron, Milton, and Shakespeare, and shows pre-eminently the character and mind of his nation. Sensibility, a positive mind, and pride, forged for him a unique style, of terrible vehemence, withering calmness, practical effectiveness, hardened by scorn, truth and hatred, a weapon of vengeance and war which made his enemies cry out and die under its point and its poison. A pamphleteer against opposition and government, he tore or crushed his adversaries with his irony or his sentences, with the tone of a judge, a sovereign, and a hangman. A man of the world and a poet, he invented a cruel pleasantry, funereal laughter, a convulsive gayety of bitter contrasts; and whilst dragging the mythological trappings, as if it were rags he was obliged to wear, he created a personal poetry by painting the crude details of trivial life, by the energy of a painful grotesqueness, by the merciless revelation of the filth we conceal. A philosopher against all philosophy, he created a realistic poem, a grave parody, deduced like geometry, absurd as a dream, credible as a law report, attractive as a tale, degrading as a dishclout placed like a crown on the head of a divinity. These were his miseries and his strength: we quit such a spectacle with a sad heart, but full of admiration; and we say that a palace is beautiful even when it is on fire. Artists will add: especially when it is on fire.
[648]In Swift's Works, ed. W. Scott, 19 vols. 1814; "Journal to Stella," II. February 13 (1710-11). He says also (February 6 and 7): "I will not see him (Mr. Harley) till he makes amends.... I was deaf to all entreaties, and have desired Lewis to go to him, and let him know that I expect farther satisfaction. If we let these great ministers pretend too much, there will be no governing them."
[649]Ibid. April 3, 1711.
[650]Ibid. May 19, 1711.
[651]Ibid. October 7, 1711.
[652]"Journal to Stella," XVII. p. 352.
[653]Ibid. III. March 27, 1711-12.