Read, for instance, "A True Relation of the Apparition of one Mrs Veal, the next Day after her Death, to one Mrs Bargrave, at Canterbury, the 8th of September 1705; which Apparition recommends the perusal of Drelincourt's Book of Consolation against the Fear of Death."[736] The old little chap books, read by aged needlewomen, are not more monotonous. There is such an array of circumstantial and guaranteed details, such a file of witnesses quoted, referred to, registered, compared, such a perfect appearance of tradesman-like honesty, plain, vulgar common-sense, that a man would take the author for an honest retired hosier, with too little brains to invent a story; no writer careful of his reputation would have printed such nonsense. In fact, it was not his reputation that De Foe cared for; he had other motives in his head; we literary men of the present time cannot guess them, being literary men only. But he wanted to sell a pious book of Drelincourt, which would not sell of itself, and in addition, to confirm people in their religious belief by advocating the appearance of ghosts. It was the grand proof then brought to bear on sceptics. Grave Dr Johnson himself tried to see a ghost, and no event of that time was more suited to the belief of the middle class. Here, as elsewhere, De Foe, like Swift, is a man of action; effect, not noise touches him; he composed "Robinson Crusoe" to warn the impious, as Swift wrote the life of the last man hung to inspire thieves with terror! In that positive and religious age, amidst these political and puritanic citizens, practice was of such importance as to reduce art to the condition of its tool.

Never was art the tool of a more moral or more thoroughly English work. Robinson Crusoe is quite a man of his race, and might instruct it even in the present day. He has that force of will, inner enthusiasm, hidden ferment of a violent imagination; which formerly produced the sea-kings, and now produces emigrants and squatters. The misfortunes of his two brothers, the tears of his relatives, the advice of his friends, the remonstrances of his reason, the remorse of his conscience, are all unable to restrain him: there was "a something fatal in his nature"; he had conceived the idea, he must go to sea. To no purpose is he seized with repentance during the first storm; he drowns in punch these "fits" of conscience. To no purpose is he warned by shipwreck and a narrow escape from death; he is hardened, and grows obstinate. To no purpose captivity among the Moors and the possession of a fruitful plantation invite repose; the indomitable instinct returns; he was born to be his own destroyer, and embarks again. The ship goes down; he is cast alone on a desert island; then his native energy found its vent and its employment; like his descendants, the pioneers of Australia and America, he must recreate and remaster one by one the inventions and acquisitions of human industry; one by one he does so. Nothing represses his effort; neither possession nor weariness:

"I had the biggest magazine of all kinds now that ever was laid up, I believe, for one man; but I was not satisfied still; for, while the ship sat upright in that posture, I thought I ought to get everything out of her that I could.... I got most of the pieces of cable ashore, and some of the iron, though with infinite labour; for I was fain to dip for it into the water; a work which fatigued me very much.... I believe, verily, had the calm weather held, I should have brought away the whole ship, piece by piece."[737]

In his eyes, work is natural. When, in order "to barricade himself, he goes to cut the piles in the woods, and drives them into the earth, which cost a great deal of time and labour," he says:

"A very laborious and tedious work. But what need I have been concerned at the tediousness of anything I had to do, seeing I had time enough to do it in?... My time or labor was little worth, and so it was as well employed one way as another."[738] Application and fatigue of head and arms give occupation to his superfluous activity and force; the mill-stone must find grist to grind, without which, turning round empty, it would wear itself away. He works, therefore, all day and night, at once carpenter, oarsman, porter, hunter, tiller of the ground, potter, tailor, milkman, basketmaker, grinder, baker, invincible in difficulties, disappointments, expenditure of time and toil. Having but a hatchet and an adze, it took him forty-two days to make a board. He occupied two months in making his first two jars; five months in making his first boat; then, "by dint of hard labour," he levelled the ground from his timber-yard to the sea, then, not being able to bring his boat to the sea, he tried to bring the sea up to his boat, and began to dig a canal; then, reckoning that he would require ten or twelve years to finish the task, he builds another boat at another place, with another canal half a mile long, four feet deep, six wide. He spends two years over it; "I bore with this.... I went through that by dint of hard labour.... Many a weary stroke it had cost.... This will testify that I was not idle.... As I had learned not to despair of anything I never grudged my labour." These strong expressions of indomitable patience are ever recurring. These stout-hearted men are framed for labor, as their sheep are for slaughter and their horses for racing. Even now we may hear their mighty hatchet and pickaxe sounding in the claims of Melbourne and in the log-houses of the Salt Lake. The reason of their success is the same there as here; they do everything with calculation and method; they rationalize their energy, which is like a torrent they make a canal for. Crusoe sets to work only after deliberate calculation and reflection. When he seeks a spot for his tent, he enumerates the four conditions of the place he requires. When he wishes to escape despair, he draws up impartially, "like debtor and creditor," the list of his advantages and disadvantages, putting them in two columns, active and passive, item for item, so that the balance is in his favor. His courage is only the servant of his common-sense: "By stating and squaring everything by reason, and by making the most rational judgment of things, every man may be in time master of every mechanic art. I had never handled a tool in my life, and yet in time, by labour, application, and contrivance, I found at last that I wanted nothing but I could have made, especially if I had had tools."[739] There is a grave and deep pleasure in this painful success, and in this personal acquisition. The squatter, like Crusoe, takes pleasure in things, not only because they are useful, but because they are his work. He feels himself a man, whilst finding everywhere about him the sign of his labor and thought; he is pleased: "I had everything so ready at my hand, that it was a great pleasure to me to see all my goods in such order, and especially to find my stock of all necessaries so great."[740] He returns to his home willingly, because he is there a master and creator of all the comforts he has around him; he takes his meals there gravely and "like a king."

Such are the pleasures of home. A guest enters there to fortify these natural inclinations by the ascendancy of duty. Religion appears, as it must, in emotions and visions: for this is not a calm soul; imagination breaks out into it at the least shock, and carries it to the threshold of madness. On the day when Robinson Crusoe saw the "print of a man's naked foot on the shore," he stood "like one thunderstruck," and fled "like a hare to cover"; his ideas are in a whirl, he is no longer master of them; though he is hidden and barricaded, he thinks himself discovered; he intends "to throw down the enclosures, turn all the tame cattle wild into the woods, dig up the corn-fields." He has all kinds of fancies; he asks himself if it is not the devil who has left this footmark; and reasons upon it:

"I considered that the devil might have found out abundance of other ways to have terrified me;... that, as I lived quite on the other side of the island, he would never have been so simple to leave a mark in a place, where it was ten thousand to one whether I should ever see it or not, and in the sand too, which the first surge of the sea upon a high wind would have defaced entirely. All this seemed inconsistent with the thing itself, and with all notions we usually entertain of the subtlety of the devil."[741]

In this impassioned and uncultivated mind, which for eight years had continued without a thought, and as it were stupid, engrossed in manual labor and bodily wants, belief took root, fostered by anxiety and solitude. Amidst the risks of all-powerful nature, in this great uncertain upheaving, a Frenchman, a man bred as we are, would cross his arms gloomily, like a Stoic, or would wait like an Epicurean for the return of physical cheerfulness. As for Crusoe, at the sight of the ears of barley which have suddenly made their appearance, he weeps, and thinks at first "that God had miraculously caused this grain to grow." Another day he has a terrible vision: in a fever of excitement he repents of his sins; he opens the Bible, and finds these words, which "were very apt to his case": "Call upon me in the day of trouble; I will deliver thee, and thou shalt glorify me."[742]] Prayer then rises to his lips, true prayer, the converse of the heart with a God who answers, and to whom we listen. He also read the words: "I will never leave thee nor forsake thee."[743] "Immediately it occurred that these words were to me. Why else should they be directed in such a manner, just at the moment when I was mourning over my condition, as one forsaken of God and man?"[744] Thenceforth spiritual life begins for him. To reach its very foundation, the squatter needs only his Bible; with it he carries about his faith, his theology, his worship; every evening he finds in it some application to his present condition: he is no longer alone: God speaks to him, and provides for his energy matter for a second labor to sustain and complete the first. For he now undertakes against his heart the combat which he has maintained against nature; he wants to conquer, transform, ameliorate, pacify the one as he has done with the other. Robinson Crusoe fasts, observes the Sabbath, three times a day he reads the Scripture, and says: "I gave humble and hearty thanks... that he (God) could fully make up to me the deficiencies of my solitary state, and the want of human society by his presence, and the communication of his grace to my soul, supporting, comforting, and encouraging me to depend upon his providence, and hope for his eternal presence hereafter."[745] In this disposition of mind there is nothing a man cannot endure or do; heart and hand come to the assistance of the arms; religion consecrates labor, piety feeds patience; and man, supported on one side by his instincts, on the other by his belief, finds himself able to clear the land, to people, to organize and civilize continents.


[Section III—The Evolution of the Eighteenth Century Novel]