[826]Sterne, Goldsmith, Burke, Sheridan Moore, have a tone of their own, which comes from their blood, or from their proximate or distant parentage—the Irish tone. So Hume, Robertson, Smollett, Scott, Burns, Beattie, Reid, D. Stewart, and others, have the Scottish tone. In the Irish or Celtic tone we find an excess of chivalry, sensuality, expansion; in short, a mind less equally balanced, more sympathetic and less practical. The Scotsman, on the other hand, is an Englishman, either slightly refined or narrowed, because he has suffered more and fasted more.
[827]"The Vicar of Wakefield," ch. IV.
[828]Ibid. ch. XVII.
[829]"The Vicar of Wakefield," ch. XXVIII.
[830]Ibid. ch. XXVIII.
[831]Ibid. ch. XXIX.
[832]See, in Boswell's "Life of Johnson," ed. Croker, 1853, ch. XI. p. 85, Chesterfield's complimentary paper on Johnson's Dictionary, printed in the "World."
[833]Boswell's "Life of Johnson," ed. Croker, ch. XXX. 269.
[834]Ibid. ch. III. 14 and 15.
[835]Ibid. ch. XVIII. 165, n. 4.