With the close of the expeditions of 1871, the discovery of the Yellowstone wonderland was made complete. It remained to see what Congress would do with so unique and valuable a possession.
THE NATIONAL PARK IDEA—ITS ORIGIN AND REALIZATION.
The first steamboat to ascend the Missouri River as far as to the mouth of the Yellowstone arrived at that point on the 26th of June, 1832. By a happy coincidence it bore the name Yellowstone. We are indebted for the conception of the National Park idea to a passenger upon this boat who was destined to become one of the most interesting characters America has produced. Every one bears in memory those pictures of Indian life which thrilled their youthful imagination with visions of camping-grounds, council fires, exciting buffalo hunts, and the wild and picturesque costumes of the red men. Very few, however, realize how largely all that is best in these pictures has flowed from a single source. The name of George Catlin is by no means familiar except to the specialist. His work reaches the public eye through so many different channels, and so often without any acknowledgment of its origin, that the origin itself is very generally lost to view.
To no other individual does the Indian race owe so much for the perpetuity in history and art of its life and customs. From an early age he displayed an enthusiasm for every thing pertaining to the aboriginal races which can be adequately described only by the word worship. He abandoned the profession for which he had been educated, and enlisted his whole energy in the service of brush and pencil, apparently for the single purpose of indulging this passion of his life. He once wrote:
“Unaided and unadvised, I resolved to use my art and so much of the labors of my future life as might be required in rescuing from oblivion the looks and customs of the vanishing races of native man in America, to which I plainly saw they were hastening before the approach and certain progress of civilization.” [AE]
[AE] Manners, Customs, etc., of the North American Indians. See [Appendix E].
This high purpose Catlin followed throughout the remainder of his life with unwavering fidelity. He visited almost every Indian tribe in North America, gathering sketches and making descriptive notes. He also visited South America, and afterward spent many years in Europe exhibiting his work. The result of his labors was a gallery of more than six hundred pictures, now happily forever safe under the protection of the Smithsonian Institution in Washington, wherein he delineated the portraits of famous chiefs and the scenes and customs of Indian life. This work he supplemented with the scarcely less valuable work of his pen, leaving behind him probably the best popular description of the native races that has ever been written. His work is a perennial fountain to which students of Indian themes will ever resort. Valuable as it was considered in his lifetime, each passing year makes it more valuable still.