“As you please, madam,” faltered the victim, looking very unhappy.
“You will pardon my straightforwardness, won’t you? B-jerk. I could never pronounce that, you know.”
“Whatever may be agreeable to you, madam, will be sure to please me.”
“That is very well said. And you will find that it always pays to try to please me. And you wish to teach music? If you have no objection I will call my oldest daughter. She is an excellent judge of music, and if your playing meets with her approval, I will engage you, as my husband suggests, not to teach Edith, you understand, but my youngest child, Clara.”
Halfdan bowed assent, and Mrs. Van Kirk rustled out into the hall where she rang a bell, and re-entered. A servant in dress-coat appeared, and again vanished as noiselessly as he had come. To our Norseman there was some thing weird and uncanny about these silent entrances and exits; he could hardly suppress a shudder. He had been accustomed to hear the clatter of people’s heels upon the bare floors, as they approached, and the audible crescendo of their footsteps gave one warning, and prevented one from being taken by surprise. While absorbed in these reflections, his senses must have been dormant; for just then Miss Edith Van Kirk entered, unheralded by anything but a hovering perfume, the effect of which was to lull him still deeper into his wondering abstraction.
“Mr. Birch,” said Mrs. Van Kirk, “this is my daughter Miss Edith,” and as Halfdan sprang to his feet and bowed with visible embarrassment, she continued:
“Edith, this is Mr. Daniel Birch, whom your father has sent here to know if he would be serviceable as a music teacher for Clara. And now, dear, you will have to decide about the merits of Mr. Birch. I don’t know enough about music to be anything of a judge.”
“If Mr. Birch will be kind enough to play,” said Miss Edith with a languidly musical intonation,” I shall be happy to listen to him.”
Halfdan silently signified his willingness and followed the ladies to a smaller apartment which was separated from the drawing-room by folding doors. The apparition of the beautiful young girl who was walking at his side had suddenly filled him with a strange burning and shuddering happiness; he could not tear his eyes away from her; she held him as by a powerful spell. And still, all the while he had a painful sub-consciousness of his own unfortunate appearance, which was thrown into cruel relief by her splendor. The tall, lithe magnificence of her form, the airy elegance of her toilet, which seemed the perfection of self-concealing art, the elastic deliberateness of her step—all wrought like a gentle, deliciously soothing opiate upon the Norseman’s fancy and lifted him into hitherto unknown regions of mingled misery and bliss. She seemed a combination of the most divine contradictions, one moment supremely conscious, and in the next adorably child-like and simple, now full of arts and coquettish innuendoes, then again naïve, unthinking and almost boyishly blunt and direct; in a word, one of those miraculous New York girls whom abstractly one may disapprove of, but in the concrete must abjectly adore. This easy predominance of the masculine heart over the masculine reason in the presence of an impressive woman, has been the motif of a thousand tragedies in times past, and will inspire a thousand more in times to come.
Halfdan sat down at the grand piano and played Chopin’s Nocturne in G major, flinging out that elaborate filigree of sound with an impetuosity and superb ABANDON which caused the ladies to exchange astonished glances behind his back. The transitions from the light and ethereal texture of melody to the simple, more concrete theme, which he rendered with delicate shadings of articulation, were sufficiently startling to impress even a less cultivated ear than that of Edith Van Kirk, who had, indeed, exhausted whatever musical resources New York has to offer. And she was most profoundly impressed. As he glided over the last pianissimo notes toward the two concluding chords (an ending so characteristic of Chopin) she rose and hurried to his side with a heedless eagerness, which was more eloquent than emphatic words of praise.