The captain bowed and smiled at the enthusiasm displayed by Mr. Speed.
“By ginger! that sort of puts you right into our fambly, so to speak!” The mate surveyed him with interest and with increasing confidence. “I'm in a mess, Cap'n Mayo, and I need advice and comfort, I reckon. I was headed on a straight tack toward my regular duty, and all of a sudden I found myself jibed and in stays, and I'm there now and drifting. Seeing that your folks built the Polly, I consider that you're in the fambly, and that Proverdunce put you right here to-night in this telegraft office. Do you know Cap'n Epps Candage?”
Mayo shook his head.
“Or his girl, Polly, named for the Polly?”
“No, I must confess.”
“Well, it may be just as well for ye that ye don't,” said Oakum Otie, twisting his straggly beard into a spill and blinking nervously. “There I was, headed straight and keeping true course, and then she looked at me and there was a tremble in her voice and tears in her eyes—and the next thing I knowed I was here in this telegraft place with this!” He held up the folded paper and his hand shook.
Captain Mayo did not understand, and therefore he made no remarks.
“There was a song old Ephrum Wack used to sing,” went on Mr. Speed, getting more confidential and making sure that the other men in the room were too much occupied to listen. “Chorus went:
“I ain't afeard of the raging sea,
Nor critters that's in it, whatever they be.
But a witch of a woman is what skeers me!
“There I've been, standing by Cap'n Epps in the whole dingdo, and she got me one side and looked at me and says a few things with a quiver in her voice and her eyes all wet and shiny and”—he paused and looked down at the paper with bewilderment that was rather pitiful—“and I walked right over all common sense and shipboard rules and discipline and everything and came here, fetching this to be stuck on to the wire, or whatever they do with telegrafts. But,” he added, a waver in his tones, “she is so lord-awful pretty, I couldn't help it!”