He knew he would find old Etienne sitting on the stoop of Mother Maillet's house where the old man posted himself on pleasant summer evenings and whittled whirligigs for the crowding children—just as his peasant ancestors whittled the same sort of toys in old Normandy.
Mother Maillet's house had a yard. It was narrow and dusty, because the feet of the children had worn away all the grass. Some of the palings were off the fence, and through the spaces the little folks came and went as they liked. It was not much of a yard to boast of, but there were few open spaces in that part of the city where the big land corporation hogged all the available feet of earth in order to stick the tenement-houses closely together. Therefore, because Mother Maillet was kind, the yard was a godsend so far as the little folks were concerned. The high fence kept children off the greensward where the canal flowed. Householders who had managed to save their yards down that way were, in most cases, fussy old people who were hanging on to the ancient cottage homes in spite of the city's growth, and they shooed the children out of their yards where the flower-beds struggled under the coal-dust from the high chimneys.
But Mother Maillet did not mind because she had no flower-beds and because the palings were off and the youngsters made merry in her yard. She had two geraniums and a begonia and a rubber-plant on the window-sill in order to give the canary-bird a comfortable sense of arboreal surroundings; so why have homesick flowers out in a front yard where they must all the time keep begging the breeze to come and dust the grime off their petals? It should be understood that Mother Maillet had known what real flower-beds were when she was a girl in the Tadousac country.
Furthermore, Etienne Provancher always came to the yard o' fine evenings and it served as his little realm; and the door-step of the good woman's house was his throne where he sat in state among his little subjects. However, on second thought, this metaphor is not happy description; old Etienne did not rule—he obeyed.
He did not resent familiarity—he welcomed the comradeship of the children. When they called him “Pickaroon” it seemed to him that they were making a play-fellow of him.
He sat and whittled toys for them out of the pine-wood scraps which the yard foreman gave him. There were grotesque heads for rag dolls, and the good woman seemed to have unlimited rags and an excellent taste in doll-dressmaking; there were chunky automobiles with spools for wheels; there were funny little wooden men who jumped in most amusing fashion at the end of wires which were stuck into their backs. Old Etienne was always ready to sit and whittle until the evening settled down and he could see no longer, even though he held the wood and busy knife close to his eyes.
So on that evening he whittled as usual.
Walker Farr came to the yard and sat beside the old man on the door-step and was plainly thinking no agreeable thoughts while he listened to the chatter of the children.
After the darkness had come and the larger boys and girls, custodians of their tiny kin, had dragged away the protesting and whimpering little folks because it was bedtime, Zelie Dionne laid down her needlework over which she had been straining her eyes. The good woman protested often because the girl toiled so steadily with her needle after her day at the mill was ended. And on that summer evening she voiced complaint again.
“You have so many pretty gowns already! You wear one last evening—you wear anodder this evening—and still you make some more! When a young girl nigh kill herself so as to make a picture-book of her dresses I think it is time to look for some young man who seems to like the pictures. Eh?”