There were women among the audience who knew that ere the following spring many of those they loved might be shot down by French bullets; there were men in the parterre who knew this, and a wave of emotion swept over the whole audience. To the singer herself all this hardly mattered; the human hearts were merely instruments upon which she played a melody; yet her receptive, finely strung being thrilled in response to the feeling she evoked; a half-sob rose in her throat and flooded her flexible voice with a passion of sadness. When the song ended, there came a moment's breathless silence, then the applause broke forth, and Wilhelmine knew she had achieved a triumph.


In the banqueting-hall Duke Eberhard's guests were seated at a magnificent repast. Five hundred ladies and gentlemen at long tables on a raised platform, while in the lower portion of the hall the burghers of Stuttgart were regaled with wine and cake. Her Highness Johanna Elizabetha sat at one table with her retinue; Serenissimus at another with his suite and closest friends, at his right hand was Madame de Geyling. Stafforth was seated at this table, Madame de Ruth was there also, Monseigneur the Duke of Zollern, of course, and Prelate Osiander. The Geyling discussed the comedy. Lifting her glass she toasted Eberhard Ludwig: 'I drink to your Highness from la Coupe Enchantée,' she murmured; but the Duke answered absently, and Madame de Ruth smiled when he asked Stafforth, 'Where is the goddess of sound? Has she vanished with her divine song?' He was told that the lady had retired to rerobe herself. 'Robe herself, you mean!' said the Geyling sharply, 'she had, in truth, little to remove!' She spoke quickly to the Duke in an undertone, but his Highness turned away and commanded Stafforth to present the singer directly she appeared.

The Geyling bit her underlip—there was a pause in the talk at the Duke's table.

At length a door near the platform opened, and Wilhelmine appeared. No one noticed her at first, and she stood for a moment hesitating in the doorway; then Madame de Ruth espied her, and, craving the Duke's pardon, she rose and went to Wilhelmine and, taking her by the hand, led her towards the Duke. It was necessary to pass the Duchess's table; Wilhelmine immediately recognised her Highness, and as she passed she swept Johanna Elizabetha a deep courtesy. It was gracefully done, and the neglected lady, unaccustomed to be treated with even ordinary consideration, responded by an amiable smile. As they approached the Duke, his Highness rose and came forward to meet them. He had seen Wilhelmine's spontaneous good manners and was gratified thereby. Nothing gratifies a grand seigneur more than the grand manner, and in return to Wilhelmine's inclination his Highness bowed as though to a queen.

'Mademoiselle, I am deeply in your debt,' he said; 'it would be banal to thank you for your divine music, yet permit me to say that I would willingly keep you for ever as my creditor, if you would but promise to make my debt the greater by singing to me again—and soon.'

'Monseigneur, you do me too much honour,' she responded, sinking to the ground in another courtesy.

'To a feast of the gods you would be welcome, Mademoiselle; but as we are not in Olympus, let me, at least, lead the Goddess of Song to my poor table for refreshment.' So saying, his Highness offered his hand and led her to his table. He presented her to Madame de Geyling, who gave her a bitter-sweet smile and paid her the compliment of turning her back upon her. The Duke plied his guest with food and wine, declaring that ambrosia and nectar were better fitted for her; he toasted her; he praised her; he exhausted his knowledge of mythology in her honour, calling her Melpomene, the tragic Muse, for had she not made men weep with her song that very night? Song, did he say? nay, hymn it was! She was Polyhymnia, singer of sublimity. He named her Philomèle, and desired the lute of Orpheus that he might play an accompaniment to her wondrous singing. He asked her in which enchanted ocean she had lived. 'Mademoiselle Sirène, lurer of men's souls,' he called her.

Wilhelmine spoke little in answer to all this, but she acted her part well, smiling at him with glistening eyes. Indeed, she found no difficulty herein, for her heart had played a cleverer trick than ever her brain had devised—she was falling in love with Eberhard Ludwig of Wirtemberg. When supper was over the Duke rose, and, in defiance of etiquette, desired Stafforth to accompany Madame de Geyling, while he himself led Mademoiselle de Grävenitz from the banqueting-hall. They passed on to the terrace, above the outer colonnade of the Lusthaus, and stood together looking down on the garden, and the strains from the instruments of the musicians hidden in the bowers floated up to them.

'I hardly dare propose it, Mademoiselle,' said the Duke after some moments' silence, 'but the garden is very fair to-night; would you honour me by accepting my arm and taking a short stroll towards the fountain? Only a few minutes, the night is so beautiful—come and look at the stars with me!'