“‘Good,’ exclaimed du Bruel, ‘what did I tell you?’
“We entered the house stealthily. No one was there. We went from room to room until we reached a little boudoir, and came upon Tullia in tears. She dried her eyes without affectation, and spoke to du Bruel.
“‘Send a note to the Rocher de Cancale,’ she said, ‘and ask your guests to dine here.’
“She was dressed as only women of the theatre can dress, in a simply-made gown of some dainty material, neither too costly nor too common, graceful and harmonious in outline and coloring; there was nothing conspicuous about her, nothing exaggerated—a word now dropping out of use, to be replaced by the word ‘artistic,’ used by fools as current coin. In short, Tullia looked like a gentlewoman. At thirty-seven she had reached the prime of a Frenchwoman’s beauty. At this moment the celebrated oval of her face was divinely pale; she had laid her hat aside; I could see a faint down like the bloom of fruit softening the silken contours of a cheek itself so delicate. There was a pathetic charm about her face with its double cluster of fair hair; her brilliant gray eyes were veiled by a mist of tears; her nose, delicately carved as a Roman cameo, with its quivering nostrils; her little mouth, like a child’s even now; her long queenly throat, with the veins standing out upon it; her chin, flushed for the moment by some secret despair; the pink tips of her ears, the hands that trembled under her gloves, everything about her told of violent feeling. The feverish twitching of her eyebrows betrayed her pain. She looked sublime.
“Her first words had crushed du Bruel. She looked at us both, with that penetrating, impenetrable cat-like glance which only actresses and great ladies can use. Then she held out her hand to her husband.
“‘Poor dear, you had scarcely gone before I blamed myself a thousand times over. It seemed to me that I had been horribly ungrateful. I told myself that I had been unkind.—Was I very unkind?’ she asked, turning to me.—‘Why not receive your friends? Is it not your house? Do you want to know the reason of it all? Well, I was afraid that I was not loved; and indeed I was half-way between repentance and the shame of going back. I read the newspapers, and saw that there was a first night at the Varietes, and I thought you had meant to give the dinner to a collaborator. Left to myself, I gave way, I dressed to hurry out after you—poor pet.’
“Du Bruel looked at me triumphantly, not a vestige of a recollection of his orations contra Tullia in his mind.
“‘Well, dearest, I have not spoken to any one of them,’ he said.
“‘How well we understand each other!’ quoth she.
“Even as she uttered those bewildering sweet words, I caught sight of something in her belt, the corner of a little note thrust sidewise into it; but I did not need that indication to tell me that Tullia’s fantastic conduct was referable to occult causes. Woman, in my opinion, is the most logical of created beings, the child alone excepted. In both we behold a sublime phenomenon, the unvarying triumph of one dominant, all-excluding thought. The child’s thought changes every moment; but while it possesses him, he acts upon it with such ardor that others give way before him, fascinated by the ingenuity, the persistence of a strong desire. Woman is less changeable, but to call her capricious is a stupid insult. Whenever she acts, she is always swayed by one dominant passion; and wonderful it is to see how she makes that passion the very centre of her world.