Analytical Studies

by Honoré de Balzac

For as a matter of fact, when he stands before the shut door, a man believes that he is quite alone; and he would have no hesitation in beginning a silent monologue, a dreamy soliloquy, in which he revealed his desires, his intentions, his personal qualities, his faults, his virtues, etc.; for undoubtedly a man on a stoop is exactly like a young girl of fifteen at confession, the evening before her first communion.

Do you want any proof of this? Notice the sudden change of face and manner in this celibate from the very moment he steps within the house. No machinist in the Opera, no change in the temperature in the clouds or in the sun can more suddenly transform the appearance of a theatre, the effect of the atmosphere, or the scenery of the heavens.

On reaching the first plank of your antechamber, instead of betraying with so much innocence the myriad thoughts which were suggested to you on the steps, the celibate has not a single glance to which you could attach any significance. The mask of social convention wraps with its thick veil his whole bearing; but a clever husband must already have divined at a single look the object of his visit, and he reads the soul of the new arrival as if it were a printed book.

The manner in which he approaches your wife, in which he addresses her, looks at her, greets her and retires—there are volumes of observations, more or less trifling, to be made on these subjects.

The tone of his voice, his bearing, his awkwardness, it may be his smile, even his gloom, his avoidance of your eye,—all are significant, all ought to be studied, but without apparent attention. You ought to conceal the most disagreeable discovery you may make by an easy manner and remarks such as are ready at hand to a man of society. As we are unable to detail the minutiae of this subject we leave them entirely to the sagacity of the reader, who must by this time have perceived the drift of our investigation, as well as the extent of this science which begins at the analysis of glances and ends in the direction of such movements as contempt may inspire in a great toe hidden under the satin of a lady’s slipper or the leather of a man’s boot.

But the exit!—for we must allow for occasions where you have omitted your rigid scrutiny at the threshold of the doorway, and in that case the exit becomes of vital importance, and all the more so because this fresh study of the celibate ought to be made on the same lines, but from an opposite point of view, from that which we have already outlined.

In the exit the situation assumes a special gravity; for then is the moment in which the enemy has crossed all the intrenchments within which he was subject to our examination and has escaped into the street! At this point a man of understanding when he sees a visitor passing under the porte-cochere should be able to divine the import of the whole visit. The indications are indeed fewer in number, but how distinct is their character! The denouement has arrived and the man instantly betrays the importance of it by the frankest expression of happiness, pain or joy.

These revelations are therefore easy to apprehend; they appear in the glance cast either at the building or at the windows of the apartment; in a slow or loitering gait, in the rubbing of hands, on the part of a fool, in the bounding gait of a coxcomb, or the involuntary arrest of his footsteps, which marks the man who is deeply moved; in a word, you see upon the stoop certain questions as clearly proposed to you as if a provincial academy had offered a hundred crowns for an essay; but in the exit you behold the solution of these questions clearly and precisely given to you. Our task would be far above the power of human intelligence if it consisted in enumerating the different ways by which men betray their feelings, the discernment of such things is purely a matter of tact and sentiment.

If strangers are the subject of these principles of observation, you have a still stronger reason for submitting your wife to the formal safeguards which we have outlined.

A married man should make a profound study of his wife’s countenance. Such a study is easy, it is even involuntary and continuous. For him the pretty face of his wife must needs contain no mysteries, he knows how her feelings are depicted there and with what expression she shuns the fire of his glance.