It would be easy to prove that the practice of sleeping together was established between married people but recently, in comparison with the antiquity of marriage.

By what reasonings has man arrived at that point in which he brought in vogue a practice so fatal to happiness, to health, even to amour-propre? Here we have a subject which it would be curious to investigate.

If you knew one of your rivals who had discovered a method of placing you in a position of extreme absurdity before the eyes of those who were dearest to you—for instance, while you had your mouth crooked like that of a theatrical mask, or while your eloquent lips, like the copper faucet of a scanty fountain, dripped pure water—you would probably stab him. This rival is sleep. Is there a man in the world who knows how he appears to others, and what he does when he is asleep?

In sleep we are living corpses, we are the prey of an unknown power which seizes us in spite of ourselves, and shows itself in the oddest shapes; some have a sleep which is intellectual, while the sleep of others is mere stupor.

There are some people who slumber with their mouths open in the silliest fashion.

There are others who snore loud enough to make the timbers shake.

Most people look like the impish devils that Michael Angelo sculptured, putting out their tongues in silent mockery of the passers-by.

The only person I know of in the world who sleeps with a noble air is Agamemnon, whom Guerin has represented lying on his bed at the moment when Clytemnestra, urged by Egisthus, advances to slay him. Moreover, I have always had an ambition to hold myself on my pillow as the king of kings Agamemnon holds himself, from the day that I was seized with dread of being seen during sleep by any other eyes than those of Providence. In the same way, too, from the day I heard my old nurse snorting in her sleep “like a whale,” to use a slang expression, I have added a petition to the special litany which I address to Saint-Honoré, my patron saint, to the effect that he would save me from indulging in this sort of eloquence.

When a man wakes up in the morning, his drowsy face grotesquely surmounted by the folds of a silk handkerchief which falls over his left temple like a police cap, he is certainly a laughable object, and it is difficult to recognize in him the glorious spouse, celebrated in the strophes of Rousseau; but, nevertheless, there is a certain gleam of life to illume the stupidity of a countenance half dead—and if you artists wish to make fine sketches, you should travel on the stage-coach and, when the postilion wakes up the postmaster, just examine the physiognomies of the departmental clerks! But, were you a hundred times as pleasant to look upon as are these bureaucratic physiognomies, at least, while you have your mouth shut, your eyes are open, and you have some expression in your countenance. Do you know how you looked an hour before you awoke, or during the first hour of your sleep, when you were neither a man nor an animal, but merely a thing, subject to the dominion of those dreams which issue from the gate of horn? But this is a secret between your wife and God.

Is it for the purpose of insinuating the imbecility of slumber that the Romans decorated the heads of their beds with the head of an ass? We leave to the gentlemen who form the academy of inscriptions the elucidation of this point.