Pillars of the ministry, experts in all manners and customs bureaucratic, well-warmed and clothed at the State’s expense, growing rich by reason of their few wants, these lackeys saw completely through the government officials, collectively and individually. They had no better way of amusing their idle hours than by observing these personages and studying their peculiarities. They knew how far to trust the clerks with loans of money, doing their various commissions with absolute discretion; they pawned and took out of pawn, bought up bills when due, and lent money without interest, albeit no clerk ever borrowed of them without returning a “gratification.” These servants without a master received a salary of nine hundred francs a year; new years’ gifts and “gratifications” brought their emoluments to twelve hundred francs, and they made almost as much money by serving breakfasts to the clerks at the office.
The elder of these men, who was also the richest, waited upon the main body of the clerks. He was sixty years of age, with white hair cropped short like a brush; stout, thickset, and apoplectic about the neck, with a vulgar pimpled face, gray eyes, and a mouth like a furnace door; such was the profile portrait of Antoine, the oldest attendant in the ministry. He had brought his two nephews, Laurent and Gabriel, from Echelles in Savoie,—one to serve the heads of the bureaus, the other the director himself. All three came to open the offices and clean them, between seven and eight o’clock in the morning; at which time they read the newspapers and talked civil service politics from their point of view with the servants of other divisions, exchanging the bureaucratic gossip. In common with servants of modern houses who know their masters’ private affairs thoroughly, they lived at the ministry like spiders at the centre of a web, where they felt the slightest jar of the fabric.
On a Thursday evening, the day after the ministerial reception and Madame Rabourdin’s evening party, just as Antoine was trimming his beard and his nephews were assisting him in the antechamber of the division on the upper floor, they were surprised by the unexpected arrival of one of the clerks.
“That’s Monsieur Dutocq,” said Antoine. “I know him by that pickpocket step of his. He is always moving round on the sly, that man. He is on your back before you know it. Yesterday, contrary to his usual ways, he outstayed the last man in the office; such a thing hasn’t happened three times since he has been at the ministry.”
Here follows the portrait of Monsieur Dutocq, order-clerk in the Rabourdin bureau: Thirty-eight years old, oblong face and bilious skin, grizzled hair always cut close, low forehead, heavy eyebrows meeting together, a crooked nose and pinched lips; tall, the right shoulder slightly higher than the left; brown coat, black waistcoat, silk cravat, yellowish trousers, black woollen stockings, and shoes with flapping bows; thus you behold him. Idle and incapable, he hated Rabourdin,—naturally enough, for Rabourdin had no vice to flatter, and no bad or weak side on which Dutocq could make himself useful. Far too noble to injure a clerk, the chief was also too clear-sighted to be deceived by any make-believe. Dutocq kept his place therefore solely through Rabourdin’s generosity, and was very certain that he could never be promoted if the latter succeeded La Billardiere. Though he knew himself incapable of important work, Dutocq was well aware that in a government office incapacity was no hindrance to advancement; La Billardiere’s own appointment over the head of so capable a man as Rabourdin had been a striking and fatal example of this. Wickedness combined with self-interest works with a power equivalent to that of intellect; evilly disposed and wholly self-interested, Dutocq had endeavoured to strengthen his position by becoming a spy in all the offices. After 1816 he assumed a marked religious tone, foreseeing the favor which the fools of those days would bestow on those they indiscriminately called Jesuits. Belonging to that fraternity in spirit, though not admitted to its rites, Dutocq went from bureau to bureau, sounded consciences by recounting immoral jests, and then reported and paraphrased results to des Lupeaulx; the latter thus learned all the trivial events of the ministry, and often surprised the minister by his consummate knowledge of what was going on. He tolerated Dutocq under the idea that circumstances might some day make him useful, were it only to get him or some distinguished friend of his out of a scrape by a disgraceful marriage. The two understood each other well. Dutocq had succeeded Monsieur Poiret the elder, who had retired in 1814, and now lived in the pension Vanquer in the Latin quarter. Dutocq himself lived in a pension in the rue de Beaune, and spent his evenings in the Palais-Royal, sometimes going to the theatre, thanks to du Bruel, who gave him an author’s ticket about once a week. And now, a word on du Bruel.
Though Sebastien did his work at the office for the small compensation we have mentioned, du Bruel was in the habit of coming there to advertise the fact that he was the under-head-clerk and to draw his salary. His real work was that of dramatic critic to a leading ministerial journal, in which he also wrote articles inspired by the ministers,—a very well understood, clearly defined, and quite unassailable position. Du Bruel was not lacking in those diplomatic little tricks which go so far to conciliate general good-will. He sent Madame Rabourdin an opera-box for a first representation, took her there in a carriage and brought her back,—an attention which evidently pleased her. Rabourdin, who was never exacting with his subordinates allowed du Bruel to go off to rehearsals, come to the office at his own hours, and work at his vaudevilles when there. Monsieur le Duc de Chaulieu, the minister, knew that du Bruel was writing a novel which was to be dedicated to himself. Dressed with the careless ease of a theatre man, du Bruel wore, in the morning, trousers strapped under his feet, shoes with gaiters, a waistcoat evidently vamped over, an olive surtout, and a black cravat. At night he played the gentleman in elegant clothes. He lived, for good reasons, in the same house as Florine, an actress for whom he wrote plays. Du Bruel, or to give him his pen name, Cursy, was working just now at a piece in five acts for the Francais. Sebastien was devoted to the author,—who occasionally gave him tickets to the pit,—and applauded his pieces at the parts which du Bruel told him were of doubtful interest, with all the faith and enthusiasm of his years. In fact, the youth looked upon the playwright as a great author, and it was to Sebastien that du Bruel said, the day after a first representation of a vaudeville produced, like all vaudevilles, by three collaborators, “The audience preferred the scenes written by two.”
“Why don’t you write alone?” asked Sebastien naively.
There were good reasons why du Bruel did not write alone. He was the third of an author. A dramatic writer, as few people know, is made up of three individuals; first, the man with brains who invents the subject and maps out the structure, or scenario, of the vaudeville; second, the plodder, who works the piece into shape; and third, the toucher-up, who sets the songs to music, arranges the chorus and concerted pieces and fits them into their right place, and finally writes the puffs and advertisements. Du Bruel was a plodder; at the office he read the newest books, extracted their wit, and laid it by for use in his dialogues. He was liked by his collaborators on account of his carefulness; the man with brains, sure of being understood, could cross his arms and feel that his ideas would be well rendered. The clerks in the office liked their companion well enough to attend a first performance of his plays in a body and applaud them, for he really deserved the title of a good fellow. His hand went readily to his pocket; ices and punch were bestowed without prodding, and he loaned fifty francs without asking them back. He owned a country-house at Aulnay, laid by his money, and had, besides the four thousand five hundred francs of his salary under government, twelve hundred francs pension from the civil list, and eight hundred from the three hundred thousand francs fund voted by the Chambers for encouragement of the Arts. Add to these diverse emoluments nine thousand francs earned by his quarters, thirds, and halves of plays in three different theatres, and you will readily understand that such a man must be physically round, fat, and comfortable, with the face of a worthy capitalist. As to morals, he was the lover and the beloved of Tullia and felt himself preferred in heart to the brilliant Duc de Rhetore, the lover in chief.
Dutocq had seen with great uneasiness what he called the liaison of des Lupeaulx with Madame Rabourdin, and his silent wrath on the subject was accumulating. He had too prying an eye not to have guessed that Rabourdin was engaged in some great work outside of his official labors, and he was provoked to feel that he knew nothing about it, whereas that little Sebastien was, wholly or in part, in the secret. Dutocq was intimate with Godard, under-head-clerk to Baudoyer, and the high esteem in which Dutocq held Baudoyer was the original cause of his acquaintance with Godard; not that Dutocq was sincere even in this; but by praising Baudoyer and saying nothing of Rabourdin he satisfied his hatred after the fashion of little minds.
Joseph Godard, a cousin of Mitral on the mother’s side, made pretension to the hand of Mademoiselle Baudoyer, not perceiving that her mother was laying siege to Falliex as a son-in-law. He brought little gifts to the young lady, artificial flowers, bonbons on New-Year’s day and pretty boxes for her birthday. Twenty-six years of age, a worker working without purpose, steady as a girl, monotonous and apathetic, holding cafes, cigars, and horsemanship in detestation, going to bed regularly at ten o’clock and rising at seven, gifted with some social talents, such as playing quadrille music on the flute, which first brought him into favor with the Saillards and the Baudoyers. He was moreover a fifer in the National Guard,—to escape his turn of sitting up all night in a barrack-room. Godard was devoted more especially to natural history. He made collections of shells and minerals, knew how to stuff birds, kept a mass of curiosities bought for nothing in his bedroom; took possession of phials and empty perfume bottles for his specimens; pinned butterflies and beetles under glass, hung Chinese parasols on the walls, together with dried fishskins. He lived with his sister, an artificial-flower maker, in the due de Richelieu. Though much admired by mammas this model young man was looked down upon by his sister’s shop-girls, who had tried to inveigle him. Slim and lean, of medium height, with dark circles round his eyes, Joseph Godard took little care of his person; his clothes were ill-cut, his trousers bagged, he wore white stockings at all seasons of the year, a hat with a narrow brim and laced shoes. He was always complaining of his digestion. His principal vice was a mania for proposing rural parties during the summer season, excursions to Montmorency, picnics on the grass, and visits to creameries on the boulevard du Mont-Parnasse. For the last six months Dutocq had taken to visiting Mademoiselle Godard from time to time, with certain views of his own, hoping to discover in her establishment some female treasure.