II. SCHEMES AGAINST SCHEMES
The thirst for power which consumed the queen-mother, her desire for dominion, was so great that in order to retain it she had, as we have seen, allied herself to the Guises, those enemies of the throne; to keep the reins of power, now obtained, within her hands, she was using every means, even to the sacrifice of her friends and that of her children. This woman, of whom one of her enemies said at her death, “It is more than a queen, it is monarchy itself that has died,”—this woman could not exist without the intrigues of government, as a gambler can live only by the emotions of play. Although she was an Italian of the voluptuous race of the Medici, the Calvinists who calumniated her never accused her of having a lover. A great admirer of the maxim, “Divide to reign,” she had learned the art of perpetually pitting one force against another. No sooner had she grasped the reins of power than she was forced to keep up dissensions in order to neutralize the strength of two rival houses, and thus save the Crown. Catherine invented the game of political see-saw (since imitated by all princes who find themselves in a like situation), by instigating, first the Calvinists against the Guises, and then the Guises against the Calvinists. Next, after pitting the two religions against each other in the heart of the nation, Catherine instigated the Duc d’Anjou against his brother Charles IX. After neutralizing events by opposing them to one another, she neutralized men, by holding the thread of all their interests in her hands. But so fearful a game, which needs the head of a Louis XI. to play it, draws down inevitably the hatred of all parties upon the player, who condemns himself forever to the necessity of conquering; for one lost game will turn every selfish interest into an enemy.
The greater part of the reign of Charles IX. witnessed the triumph of the domestic policy of this astonishing woman. What adroit persuasion must Catherine have employed to have obtained the command of the armies for the Duc d’Anjou under a young and brave king, thirsting for glory, capable of military achievement, generous, and in presence, too, of the Connetable de Montmorency. In the eyes of the statesmen of Europe the Duc d’Anjou had all the honors of the Saint-Bartholomew, and Charles IX. all the odium. After inspiring the king with a false and secret jealousy of his brother, she used that passion to wear out by the intrigues of fraternal jealousy the really noble qualities of Charles IX. Cypierre, the king’s first governor, and Amyot, his first tutor, had made him so great a man, they had paved the way for so noble a reign, that the queen-mother began to hate her son as soon as she found reason to fear the loss of the power she had so slowly and so painfully obtained. On these general grounds most historians have believed that Catherine de’ Medici felt a preference for Henri III.; but her conduct at the period of which we are now writing, proves the absolute indifference of her heart toward all her children.
When the Duc d’Anjou went to reign in Poland Catherine was deprived of the instrument by which she had worked to keep the king’s passions occupied in domestic intrigues, which neutralized his energy in other directions. She then set up the conspiracy of La Mole and Coconnas, in which her youngest son, the Duc d’Alencon (afterwards Duc d’Anjou, on the accession of Henri III.) took part, lending himself very willingly to his mother’s wishes, and displaying an ambition much encouraged by his sister Marguerite, then queen of Navarre. This secret conspiracy had now reached the point to which Catherine sought to bring it. Its object was to put the young duke and his brother-in-law, the king of Navarre, at the head of the Calvinists, to seize the person of Charles IX., and imprison that king without an heir,—leaving the throne to the Duc d’Alencon, whose intention it was to establish Calvinism as the religion of France. Calvin, as we have already said, had obtained, a few days before his death, the reward he had so deeply coveted,—the Reformation was now called Calvinism in his honor.
If Le Laboureur and other sensible writers had not already proved that La Mole and Coconnas,—arrested fifty nights after the day on which our present history begins, and beheaded the following April,—even, we say, if it had not been made historically clear that these men were the victims of the queen-mother’s policy, the part which Cosmo Ruggiero took in this affair would go far to show that she secretly directed their enterprise. Ruggiero, against whom the king had suspicions, and for whom he cherished a hatred the motives of which we are about to explain, was included in the prosecution. He admitted having given to La Mole a wax figure representing the king, which was pierced through the heart by two needles. This method of casting spells constituted a crime, which, in those days, was punished by death. It presents one of the most startling and infernal images of hatred that humanity could invent; it pictures admirably the magnetic and terrible working in the occult world of a constant malevolent desire surrounding the person doomed to death; the effects of which on the person are exhibited by the figure of wax. The law in those days thought, and thought justly, that a desire to which an actual form was given should be regarded as a crime of lese majeste. Charles IX. demanded the death of Ruggiero; Catherine, more powerful than her son, obtained from the Parliament, through the young counsellor, Lecamus, a commutation of the sentence, and Cosmo was sent to the galleys. The following year, on the death of the king, he was pardoned by a decree of Henri III., who restored his pension, and received him at court.
But, to return now to the moment of which we are writing, Catherine had, by this time, struck so many blows on the heart of her son that he was eagerly desirous of casting off her yoke. During the absence of Marie Touchet, Charles IX., deprived of his usual occupation, had taken to observing everything about him. He cleverly set traps for the persons in whom he trusted most, in order to test their fidelity. He spied on his mother’s actions, concealing from her all knowledge of his own, employing for this deception the evil qualities she had fostered in him. Consumed by a desire to blot out the horror excited in France by the Saint-Bartholomew, he busied himself actively in public affairs; he presided at the Council, and tried to seize the reins of government by well-laid schemes. Though the queen-mother endeavored to check these attempts of her son by employing all the means of influence over his mind which her maternal authority and a long habit of domineering gave her, his rush into distrust was so vehement that he went too far at the first bound ever to return from it. The day on which his mother’s speech to the king of Poland was reported to him, Charles IX., conscious of his failing health, conceived the most horrible suspicions, and when such thoughts take possession of the mind of a son and a king nothing can remove them. In fact, on his deathbed, at the moment when he confided his wife and daughter to Henri IV., he began to put the latter on his guard against Catherine, so that she cried out passionately, endeavoring to silence him, “Do not say that, monsieur!”
Though Charles IX. never ceased to show her the outward respect of which she was so tenacious that she would never call the kings her sons anything but “Monsieur,” the queen-mother had detected in her son’s manner during the last few months an ill-disguised purpose of vengeance. But clever indeed must be the man who counted on taking Catherine unawares. She held ready in her hand at this moment the conspiracy of the Duke d’Alencon and La Mole, in order to counteract, by another fraternal struggle, the efforts Charles IX. was making toward emancipation. But, before employing this means, she wanted to remove his distrust of her, which would render impossible their future reconciliation; for was he likely to restore power to the hands of a mother whom he thought capable of poisoning him? She felt herself at this moment in such serious danger that she had sent for Strozzi, her relation and a soldier noted for his promptitude of action. She took counsel in secret with Birago and the two Gondis, and never did she so frequently consult her oracle, Cosmo Ruggiero, as at the present crisis.
Though the habit of dissimulation, together with advancing age, had given the queen-mother that well-known abbess face, with its haughty and macerated mask, expressionless yet full of depth, inscrutable yet vigilant, remarked by all who have studied her portrait, the courtiers now observed some clouds on her icy countenance. No sovereign was ever so imposing as this woman from the day when she succeeded in restraining the Guises after the death of Francois II. Her black velvet cap, made with a point upon the forehead (for she never relinquished her widow’s mourning) seemed a species of feminine cowl around the cold, imperious face, to which, however, she knew how to give, at the right moment, a seductive Italian charm. Catherine de’ Medici was so well made that she was accused of inventing side-saddles to show the shape of her legs, which were absolutely perfect. Women followed her example in this respect throughout Europe, which even then took its fashions from France. Those who desire to bring this grand figure before their minds will find that the scene now taking place in the brown hall of the Louvre presents it in a striking aspect.
The two queens, different in spirit, in beauty, in dress, and now estranged,—one naive and thoughtful, the other thoughtful and gravely abstracted,—were far too preoccupied to think of giving the order awaited by the courtiers for the amusements of the evening. The carefully concealed drama, played for the last six months by the mother and son was more than suspected by many of the courtiers; but the Italians were watching it with special anxiety, for Catherine’s failure involved their ruin.