Catherine De Medici

by Honoré de Balzac

The cardinal and the duke glanced at each other and seemed satisfied.

“Now leave us,” said the duke to the surgeon, making him a sign. “And you my friend,” turning to Christophe; “do your errand quickly and return to Paris. My secretary will give you a pass, for it is not safe, mordieu, to be travelling on the high-roads!”

Neither of the brothers formed the slightest suspicion of the grave importance of Christophe’s errand, convinced, as they now were, that he was really the son of the good Catholic Lecamus, the court furrier, sent to collect payment for their wares.

“Take him close to the door of the queen’s chamber; she will probably ask for him soon,” said the cardinal to the surgeon, motioning to Christophe.

While the son of the furrier was undergoing this brief examination in the council-chamber, the king, leaving the queen in company with her mother-in-law, had passed into his dressing-room, which was entered through another small room next to the chamber.

Standing in the wide recess of an immense window, Catherine looked at the gardens, her mind a prey to painful thoughts. She saw that in all probability one of the greatest captains of the age would be foisted that very day into the place and power of her son, the king of France, under the formidable title of lieutenant-general of the kingdom. Before this peril she stood alone, without power of action, without defence. She might have been likened to a phantom, as she stood there in her mourning garments (which she had not quitted since the death of Henri II.) so motionless was her pallid face in the grasp of her bitter reflections. Her black eyes floated in that species of indecision for which great statesmen are so often blamed, though it comes from the vast extent of the glance with which they embrace all difficulties,—setting one against the other, and adding up, as it were, all chances before deciding on a course. Her ears rang, her blood tingled, and yet she stood there calm and dignified, all the while measuring in her soul the depths of the political abyss which lay before her, like the natural depths which rolled away at her feet. This day was the second of those terrible days (that of the arrest of the Vidame of Chartres being the first) which she was destined to meet in so great numbers throughout her regal life; it also witnessed her last blunder in the school of power. Though the sceptre seemed escaping from her hands, she wished to seize it; and she did seize it by a flash of that power of will which was never relaxed by either the disdain of her father-in-law, Francois I., and his court,—where, in spite of her rank of dauphiness, she had been of no account,—or the constant repulses of her husband, Henri II., and the terrible opposition of her rival, Diane de Poitiers. A man would never have fathomed this thwarted queen; but the fair-haired Mary—so subtle, so clever, so girlish, and already so well-trained—examined her out of the corners of her eyes as she hummed an Italian air and assumed a careless countenance. Without being able to guess the storms of repressed ambition which sent the dew of a cold sweat to the forehead of the Florentine, the pretty Scotch girl, with her wilful, piquant face, knew very well that the advancement of her uncle the Duc de Guise to the lieutenant-generalship of the kingdom was filling the queen-mother with inward rage. Nothing amused her more than to watch her mother-in-law, in whom she saw only an intriguing woman of low birth, always ready to avenge herself. The face of the one was grave and gloomy, and somewhat terrible, by reason of the livid tones which transform the skin of Italian women to yellow ivory by daylight, though it recovers its dazzling brilliancy under candlelight; the face of the other was fair and fresh and gay. At sixteen, Mary Stuart’s skin had that exquisite blond whiteness which made her beauty so celebrated. Her fresh and piquant face, with its pure lines, shone with the roguish mischief of childhood, expressed in the regular eyebrows, the vivacious eyes, and the archness of the pretty mouth. Already she displayed those feline graces which nothing, not even captivity nor the sight of her dreadful scaffold, could lessen. The two queens—one at the dawn, the other in the midsummer of life—presented at this moment the utmost contrast. Catherine was an imposing queen, an impenetrable widow, without other passion than that of power. Mary was a light-hearted, careless bride, making playthings of her triple crowns. One foreboded great evils,—foreseeing the assassination of the Guises as the only means of suppressing enemies who were resolved to rise above the Throne and the Parliament; foreseeing also the bloodshed of a long and bitter struggle; while the other little anticipated her own judicial murder. A sudden and strange reflection calmed the mind of the Italian.

“That sorceress and Ruggiero both declare this reign is coming to an end; my difficulties will not last long,” she thought.

And so, strangely enough, an occult science forgotten in our day—that of astrology—supported Catherine at this moment, as it did, in fact, throughout her life; for, as she witnessed the minute fulfilment of the prophecies of those who practised the art, her belief in it steadily increased.

“You are very gloomy, madame,” said Mary Stuart, taking from the hands of her waiting-woman, Dayelle, a little cap and placing the point of it on the parting of her hair, while two wings of rich lace surrounded the tufts of blond curls which clustered on her temples.

The pencil of many painters have so frequently represented this head-dress that it is thought to have belonged exclusively to Mary Queen of Scots; whereas it was really invented by Catherine de’ Medici, when she put on mourning for Henri II. But she never knew how to wear it with the grace of her daughter-in-law, to whom it was becoming. This annoyance was not the least among the many which the queen-mother cherished against the young queen.