There are certain babblers, babblers of genius are they, who sweep up interruptions, objections, and observations in this way as they go along, by way of provision to swell the matter of their conversation, as if that source were ever in any danger of running dry.
“Why I went?” repeated she. “I went to get your M. Gaudissart out of a fix. He wants some music for a ballet, and you are hardly fit to scribble on sheets of paper and do your work, dearie.—So I understood, things being so, that a M. Garangeot was to be asked to set the Mohicans to music—”
“Garangeot!” roared Pons in fury. “Garangeot! a man with no talent; I would not have him for first violin! He is very clever, he is very good at musical criticism, but as to composing—I doubt it! And what the devil put the notion of going to the theatre into your head?”
“How confoundedly contrairy the man is! Look here, dearie, we mustn’t boil over like milk on the fire! How are you to write music in the state that you are in? Why, you can’t have looked at yourself in the glass! Will you have the glass and see? You are nothing but skin and bone—you are as weak as a sparrow, and do you think that you are fit to make your notes! why, you would not so much as make out mine.... And that reminds me that I ought to go up to the third floor lodger’s that owes us seventeen francs, for when the chemist has been paid we shall not have twenty left.—So I had to tell M. Gaudissart (I like that name), a good sort he seems to be,—a regular Roger Bontemps that would just suit me.—He will never have liver complaint!—Well, so I had to tell him how you were.—Lord! you are not well, and he has put some one else in your place for a bit—”
“Some one else in my place!” cried Pons in a terrible voice, as he sat right up in bed. Sick people, generally speaking, and those most particularly who lie within the sweep of the scythe of Death, cling to their places with the same passionate energy that the beginner displays to gain a start in life. To hear that someone had taken his place was like a foretaste of death to the dying man.
“Why, the doctor told me that I was going on as well as possible,” continued he; “he said that I should soon be about again as usual. You have killed me, ruined me, murdered me!”
“Tut, tut, tut!” cried La Cibot, “there you go! I am killing you, am I? Mercy on us! these are the pretty things that you are always telling M. Schmucke when my back is turned. I hear all that you say, that I do! You are a monster of ingratitude.”
“But you do not know that if I am only away for another fortnight, they will tell me that I have had my day, that I am old-fashioned, out of date, Empire, rococo, when I go back. Garangeot will have made friends all over the theatre, high and low. He will lower the pitch to suit some actress that cannot sing, he will lick M. Gaudissart’s boots!” cried the sick man, who clung to life. “He has friends that will praise him in all the newspapers; and when things are like that in such a shop, Mme. Cibot, they can find holes in anybody’s coat. ... What fiend drove you to do it?”
“Why! plague take it, M. Schmucke talked it over with me for a week. What would you have? You see nothing but yourself! You are so selfish that other people may die if you can only get better.—Why poor M. Schmucke has been tired out this month past! he is tied by the leg, he can go nowhere, he cannot give lessons nor take his place at the theatre. Do you really see nothing? He sits up with you at night, and I take the nursing in the day. If I were to sit up at night with you, as I tried to do at first when I thought you were so poor, I should have to sleep all day. And who would see to the house and look out for squalls! Illness is illness, it cannot be helped, and here are you—”
“This was not Schmucke’s idea, it is quite impossible—”