“Who is your gentleman, child?”
“M. Baudoyer, the mayor of your arrondissement, a man as stupid as the late Crevel; Crevel once financed Gaudissart, you know, and a few days ago he died and left me nothing, not so much as a pot of pomatum. That made me say just now that this age of ours is something sickening.”
“What did he die of?”
“Of his wife. If he had stayed with me, he would be living now. Good-bye, dear old boy, I am talking of going off, because I can see that you will be walking about the boulevards in a week or two, hunting up pretty little curiosities again. You are not ill; I never saw your eyes look so bright.” And she went, fully convinced that her protege Garangeot would conduct the orchestra for good.
Every door stood ajar as she went downstairs. Every lodger, on tip-toe, watched the lady of the ballet pass on her way out. It was quite an event in the house.
Fraisier, like the bulldog that sets his teeth and never lets go, was on the spot. He stood beside La Cibot when Mlle. Brisetout passed under the gateway and asked for the door to be opened. Knowing that a will had been made, he had come to see how the land lay, for Maitre Trognon, notary, had refused to say a syllable—Fraisier’s questions were as fruitless as Mme. Cibot’s. Naturally the ballet-girl’s visit in extremis was not lost upon Fraisier; he vowed to himself that he would turn it to good account.
“My dear Mme. Cibot,” he began, “now is the critical moment for you.”
“Ah, yes... my poor Cibot!” said she. “When I think that he will not live to enjoy anything I may get—”
“It is a question of finding out whether M. Pons has left you anything at all; whether your name is mentioned or left out, in fact,” he interrupted. “I represent the next-of-kin, and to them you must look in any case. It is a holograph will, and consequently very easy to upset.—Do you know where our man has put it?”
“In a secret drawer in his bureau, and he has the key of it. He tied it to a corner of his handkerchief, and put it under his pillow. I saw it all.”