“I represent the firm of Sonet and Company, monumental stone-masons; Sir Walter Scott would have dubbed me Young Mortality,” continued this person. “If you, sir, should decide to intrust your orders to us, we would spare you the trouble of the journey to purchase the ground necessary for the interment of a friend lost to the arts—”
At this Remonencq nodded assent, and jogged Schmucke’s elbow.
“Every day we receive orders from families to arrange all formalities,” continued he of the black coat, thus encouraged by Remonencq. “In the first moment of bereavement, the heir-at-law finds it very difficult to attend to such matters, and we are accustomed to perform these little services for our clients. Our charges, sir, are on a fixed scale, so much per foot, freestone or marble. Family vaults a specialty.—We undertake everything at the most moderate prices. Our firm executed the magnificent monument erected to the fair Esther Gobseck and Lucien de Rubempre, one of the finest ornaments of Pere-Lachaise. We only employ the best workmen, and I must warn you, sir, against small contractors—who turn out nothing but trash,” he added, seeing that another person in a black suit was coming up to say a word for another firm of marble-workers.
It is often said that “death is the end of a journey,” but the aptness of the simile is realized most fully in Paris. Any arrival, especially of a person of condition, upon the “dark brink,” is hailed in much the same way as the traveler recently landed is hailed by hotel touts and pestered with their recommendations. With the exception of a few philosophically-minded persons, or here and there a family secure of handing down a name to posterity, nobody thinks beforehand of the practical aspects of death. Death always comes before he is expected; and, from a sentiment easy to understand, the heirs usually act as if the event were impossible. For which reason, almost every one that loses father or mother, wife or child, is immediately beset by scouts that profit by the confusion caused by grief to snare others. In former days, agents for monuments used to live round about the famous cemetery of Pere-Lachaise, and were gathered together in a single thoroughfare, which should by rights have been called the Street of Tombs; issuing thence, they fell upon the relatives of the dead as they came from the cemetery, or even at the grave-side. But competition and the spirit of speculation induced them to spread themselves further and further afield, till descending into Paris itself they reached the very precincts of the mayor’s office. Indeed, the stone-mason’s agent has often been known to invade the house of mourning with a design for the sepulchre in his hand.
“I am in treaty with this gentleman,” said the representative of the firm of Sonet to another agent who came up.
“Pons deceased!...” called the clerk at this moment. “Where are the witnesses?”
“This way, sir,” said the stone-mason’s agent, this time addressing Remonencq.
Schmucke stayed where he had been placed on the bench, an inert mass. Remonencq begged the agent to help him, and together they pulled Schmucke towards the balustrade, behind which the registrar shelters himself from the mourning public. Remonencq, Schmucke’s Providence, was assisted by Dr. Poulain, who filled in the necessary information as to Pons’ age and birthplace; the German knew but one thing—that Pons was his friend. So soon as the signatures were affixed, Remonencq and the doctor (followed by the stone-mason’s man), put Schmucke into a cab, the desperate agent whisking in afterwards, bent upon taking a definite order.
La Sauvage, on the lookout in the gateway, half-carried Schmucke’s almost unconscious form upstairs. Remonencq and the agent went up with her.
“He will be ill!” exclaimed the agent, anxious to make an end of the piece of business which, according to him, was in progress.