“Oh! he is a friend of mine; feel no alarm. Will you grant me the favor I dare hope for?”
“Yes, monsieur.”
Her tone betrayed an emotion so new and so deep that the lawyer’s world-worn soul was touched. He was overcome by shyness like a schoolboy’s, lost his confidence, and his southern brain caught fire; he tried to talk, but his phrases struck him as graceless in comparison with Madame de Soulanges’ bright and subtle replies. It was lucky for him that the quadrille was forming. Standing by his beautiful partner, he felt more at ease. To many men dancing is a phase of being; they think that they can more powerfully influence the heart of woman by displaying the graces of their bodies than by their intellect. Martial wished, no doubt, at this moment to put forth all his most effective seductions, to judge by the pretentiousness of his movements and gestures.
He led his conquest to the quadrille in which the most brilliant women in the room made it a point of chimerical importance to dance in preference to any other. While the orchestra played the introductory bars to the first figure, the Baron felt it an incredible gratification to his pride to perceive, as he reviewed the ladies forming the lines of that formidable square, that Madame de Soulanges’ dress might challenge that even of Madame de Vaudremont, who, by a chance not perhaps unsought, was standing with Montcornet vis-a-vis to himself and the lady in blue. All eyes were for a moment turned on Madame de Soulanges; a flattering murmur showed that she was the subject of every man’s conversation with his partner. Looks of admiration and envy centered on her, with so much eagerness that the young creature, abashed by a triumph she seemed to disclaim, modestly looked down, blushed, and was all the more charming. When she raised her white eyelids it was to look at her ravished partner as though she wished to transfer the glory of this admiration to him, and to say that she cared more for his than for all the rest. She threw her innocence into her vanity; or rather she seemed to give herself up to the guileless admiration which is the beginning of love, with the good faith found only in youthful hearts. As she danced, the lookers-on might easily believe that she displayed her grace for Martial alone; and though she was modest, and new to the trickery of the ballroom, she knew as well as the most accomplished coquette how to raise her eyes to his at the right moment and drop their lids with assumed modesty.
When the movement of a new figure, invented by a dancer named Trenis, and named after him, brought Martial face to face with the Colonel—“I have won your horse,” said he, laughing.
“Yes, but you have lost eighty thousand francs a year!” retorted Montcornet, glancing at Madame de Vaudremont.
“What do I care?” replied Martial. “Madame de Soulanges is worth millions!”
At the end of the quadrille more than one whisper was poured into more than one ear. The less pretty women made moral speeches to their partners, commenting on the budding liaison between Martial and the Comtesse de Soulanges. The handsomest wondered at her easy surrender. The men could not understand such luck as the Baron’s, not regarding him as particularly fascinating. A few indulgent women said it was not fair to judge the Countess too hastily; young wives would be in a very hapless plight if an expressive look or a few graceful dancing steps were enough to compromise a woman.
Martial alone knew the extent of his happiness. During the last figure, when the ladies had to form the moulinet, his fingers clasped those of the Countess, and he fancied that, through the thin perfumed kid of her gloves, the young wife’s grasp responded to his amorous appeal.
“Madame,” said he, as the quadrille ended, “do not go back to the odious corner where you have been burying your face and your dress until now. Is admiration the only benefit you can obtain from the jewels that adorn your white neck and beautifully dressed hair? Come and take a turn through the rooms to enjoy the scene and yourself.”