“I will never rise till you have taken that gold!” she said. “My cousin, I implore you, answer me! let me know if you respect me, if you are generous, if—”

As he heard this cry of noble distress the young man’s tears fell upon his cousin’s hands, which he had caught in his own to keep her from kneeling. As the warm tears touched her, Eugenie sprang to the purse and poured its contents upon the table.

“Ah! yes, yes, you consent?” she said, weeping with joy. “Fear nothing, my cousin, you will be rich. This gold will bring you happiness; some day you shall bring it back to me,—are we not partners? I will obey all conditions. But you should not attach such value to the gift.”

Charles was at last able to express his feelings.

“Yes, Eugenie; my soul would be small indeed if I did not accept. And yet,—gift for gift, confidence for confidence.”

“What do you mean?” she said, frightened.

“Listen, dear cousin; I have here—” He interrupted himself to point out a square box covered with an outer case of leather which was on the drawers. “There,” he continued, “is something as precious to me as life itself. This box was a present from my mother. All day I have been thinking that if she could rise from her grave, she would herself sell the gold which her love for me lavished on this dressing-case; but were I to do so, the act would seem to me a sacrilege.” Eugenie pressed his hand as she heard these last words. “No,” he added, after a slight pause, during which a liquid glance of tenderness passed between them, “no, I will neither sell it nor risk its safety on my journey. Dear Eugenie, you shall be its guardian. Never did friend commit anything more sacred to another. Let me show it to you.”

He went to the box, took it from its outer coverings, opened it, and showed his delighted cousin a dressing-case where the rich workmanship gave to the gold ornaments a value far above their weight.

“What you admire there is nothing,” he said, pushing a secret spring which opened a hidden drawer. “Here is something which to me is worth the whole world.” He drew out two portraits, masterpieces of Madame Mirbel, richly set with pearls.

“Oh, how beautiful! Is it the lady to whom you wrote that—”