All is not said about me yet; I am only at the little details of a great work. When a man has undertaken what I have to do,—ah! madame, permit me to confide this to your heart,—it is impossible to fall into the petty and base intrigues of this world; sentiments ought to be as great as the works desire to be great. My ambition is even stronger on the side of sentiments than it is for a fame which, after all, shines only upon graves! So, I live alone, more alone than ever; nothing drags me from my contemplations: to love and to think, to act and to meditate. To develop all one's strength on two great things,—work and the richest emotions of the soul,—what can one ask more than that? A drop of friendship, a little sunshine; to press a hand by which we can support ourselves.

Your advice upon my writings proves to me that on one point you have crowned my ambition. I would that I could send into your soul by this paper the emotions of pleasure your letter has caused me. But that is difficult.

So I cannot see you again until Vienna! Till then I shall not listen again to the only person who has made me hear a language completely poetical and largely generous. I must stop, for you will take truth for flattery. What a hindrance is writing; how often one look has more meaning than all words. Well, you will divine whatever I think that is good, and all that time prevents me from saying. You wall tell yourself that it is impossible for a solitary man—a man often crushed by work and lost in Paris—not to think, every day, of persons who love him truly; you will know that I am occupied with you, and am gathering for you those autographs.

Mon Dieu! what a number of things to tell you! How the Academy wanted to give the Montyon prize to the "Médecin de campagne," and what I did to avoid being put in the competition,—as many applications and proceedings were needed as the other competitors made to obtain the prize. And about my tragedy, and my other works in hand! But it is very difficult not to forget one's self in thinking of you.

If you go to Milan, if you stay some time, if I can go and say bonjour to you for a few days, tell me; for from the 20th to the 30th of June I should be very glad of an object for a trip, and I know none that would give me such keen happiness. I will inquire about Bartolini; but I see plainly you do not know our sculptors. In the Exhibition there was a statue of Modesty which might crush the antique; in sculpture we have great talents that are real. You like Bartolini, so I will like him, and I will make Gérard like him. But you think no longer of Grosclaude; do you know that your admirations have something which might alarm any other heart than a sincerely friendly one?

You have shown such exquisite feeling for my poor "Chouans" that, to make it less unworthy of you and me, I have delivered myself up to patient toil such as my printer alone has an idea of. You will re-read the book in Milan, no doubt. The third Part of the "Études de Mœurs" will not be ready before the first days of June. I should much like to have Susette take them to you from the author, who would then solicit an audience and recover from the fatigues of the journey through the hope of seeing you.

Alas! I have such business on hand that the devil and his horns could not get away. But I am a three-horned demon, of the race, rather degenerated, of Napoleon.

A thousand gracious thoughts and memories. Find here all that you can wish in a heart full of gratitude and devotion.

What! will you really be in Vienna in July? So soon! These distances placed between us seem to me like farewells. But I shall go to Germany in September. I shall arrive rich with some successes; which please me now only because you take an interest in them; you make them more essential to me for this reason.

Well, here is the hour. I do not know where to write to you, but I shall write all the same, and when your new box comes I will send it to you. There is no lake at Vienna, therefore give me the hope of seeing the Lago Maggiore with you. At Vienna I shall do my reconnoitring on the Danube, in order to paint the battle of Wagram, and the fight at Essling, which are to be my work during the coming winter in the Ukraine, if you will have me. But I must also see the countries through which Prince Eugène marched from Italy across the Tyrol.