The ovation was, in fact, the work of Petit-Claud.
Petit-Claud had dined with Mme. de Senonches, for the first time, on the evening of the day that brought the cure of Marsac to Angouleme with the news of Lucien's return. That same evening he made formal application for the hand of Mlle. de la Haye. It was a family dinner, one of the solemn occasions marked not so much by the number of the guests as by the splendor of their toilettes. Consciousness of the performance weighs upon the family party, and every countenance looks significant. Francoise was on exhibition. Mme. de Senonches had sported her most elaborate costume for the occasion; M. du Hautoy wore a black coat; M. de Senonches had returned from his visit to the Pimentels on the receipt of a note from his wife, informing him that Mme. du Chatelet was to appear at their house for the first time since her arrival, and that a suitor in form for Francoise would appear on the scenes. Boniface Cointet also was there, in his best maroon coat of clerical cut, with a diamond pin worth six thousand francs displayed in his shirt frill—the revenge of the rich merchant upon a poverty-stricken aristocracy.
Petit-Claud himself, scoured and combed, had carefully removed his gray hairs, but he could not rid himself of his wizened air. The puny little man of law, tightly buttoned into his clothes, reminded you of a torpid viper; for if hope had brought a spark of life into his magpie eyes, his face was icily rigid, and so well did he assume an air of gravity, that an ambitious public prosecutor could not have been more dignified.
Mme. de Senonches had told her intimate friends that her ward would meet her betrothed that evening, and that Mme. du Chatelet would appear at the Hotel de Senonches for the first time; and having particularly requested them to keep these matters secret, she expected to find her rooms crowded. The Comte and Comtesse du Chatelet had left cards everywhere officially, but they meant the honor of a personal visit to play a part in their policy. So aristocratic Angouleme was in such a prodigious ferment of curiosity, that certain of the Chandour camp proposed to go to the Hotel de Bargeton that evening. (They persistently declined to call the house by its new name.)
Proofs of the Countess' influence had stirred up ambition in many quarters; and not only so, it was said that the lady had changed so much for the better that everybody wished to see and judge for himself. Petit-Claud learned great news on the way to the house; Cointet told him that Zephirine had asked leave to present her dear Francoise's betrothed to the Countess, and that the Countess had granted the favor. Petit-Claud had seen at once that Lucien's return put Louise de Negrepelisse in a false position; and now, in a moment, he flattered himself that he saw a way to take advantage of it.
M. and Mme. de Senonches had undertaken such heavy engagements when they bought the house, that, in provincial fashion, they thought it imprudent to make any changes in it. So when Madame du Chatelet was announced, Zephirine went up to her with—"Look, dear Louise, you are still in your old home!" indicating, as she spoke, the little chandelier, the paneled wainscot, and the furniture, which once had dazzled Lucien.
"I wish least of all to remember it, dear," Madame la Prefete answered graciously, looking round on the assemblage.
Every one admitted that Louise de Negrepelisse was not like the same woman. If the provincial had undergone a change, the woman herself had been transformed by those eighteen months in Paris, by the first happiness of a still recent second marriage, and the kind of dignity that power confers. The Comtesse du Chatelet bore the same resemblance to Mme. de Bargeton that a girl of twenty bears to her mother.
She wore a charming cap of lace and flowers, fastened by a diamond-headed pin; the ringlets that half hid the contours of her face added to her look of youth, and suited her style of beauty. Her foulard gown, designed by the celebrated Victorine, with a pointed bodice, exquisitely fringed, set off her figure to advantage; and a silken lace scarf, adroitly thrown about a too long neck, partly concealed her shoulders. She played with the dainty scent-bottle, hung by a chain from her bracelet; she carried her fan and her handkerchief with ease—pretty trifles, as dangerous as a sunken reef for the provincial dame. The refined taste shown in the least details, the carriage and manner modeled upon Mme. d'Espard, revealed a profound study of the Faubourg Saint-Germain.
As for the elderly beau of the Empire, he seemed since his marriage to have followed the example of the species of melon that turns from green to yellow in a night. All the youth that Sixte had lost seemed to appear in his wife's radiant countenance; provincial pleasantries passed from ear to ear, circulating the more readily because the women were furious at the new superiority of the sometime queen of Angouleme; and the persistent intruder paid the penalty of his wife's offence.