Massimilla turned pale, but a caress from Emilio reassured her.
“Stay with me all day; we will go to the opera together. We will not set out for Friuli; your presence will no doubt enable me to endure Cataneo’s,” said Massimilla.
Though this would be torment to her lover’s soul, he consented with apparent joy.
If anything can give us a foretaste of what the damned will suffer on finding themselves so unworthy of God, is it not the state of a young man, as yet unpolluted, in the presence of a mistress he reveres, while he still feels on his lips the taste of infidelity, and brings into the sanctuary of the divinity he worships the tainted atmosphere of the courtesan?
Baader, who in his lectures eliminated things divine by erotic imagery, had no doubt observed, like some Catholic writers, the intimate resemblance between human and heavenly love.
This distress of mind cast a hue of melancholy over the pleasure the young Venetian felt in his mistress’ presence. A woman’s instinct has amazing aptitude for harmony of feeling; it assumes the hue, it vibrates to the note suggested by her lover. The pungent flavor of coquettish spice is far indeed from spurring affection so much as this gentle sympathy of tenderness. The smartness of a coquette too clearly marks opposition; however transient it is displeasing; but this intimate comprehension shows a perfect fusion of souls. The hapless Emilio was touched by the unspoken divination which led the Duchess to pity a fault unknown to her.
Massimilla, feeling that her strength lay in the absence of any sensual side to her love, could allow herself to be expansive; she boldly and confidently poured out her angelic spirit, she stripped it bare, just as during that diabolical night, La Tinti had displayed the soft lines of her body, and her firm, elastic flesh. In Emilio’s eyes there was as it were a conflict between the saintly love of this white soul and that of the vehement and muscular Sicilian.
The day was spent in long looks following on deep meditations. Each of them gauged the depths of tender feeling, and found it bottomless; a conviction that brought fond words to their lips. Modesty, the goddess who in a moment of forgetfulness with Love, was the mother of Coquettishness, need not have put her hand before her face as she looked at these lovers. As a crowning joy, an orgy of happiness, Massimilla pillowed Emilio’s head in her arms, and now and then ventured to press her lips to his; but only as a bird dips its beak into the clear waters of a spring, looking round lest it should be seen. Their fancy worked upon this kiss, as a composer develops a subject by the endless resources of music, and it produced in them such tumultuous and vibrating echoes as fevered their blood.
The Idea must always be stronger than the Fact, otherwise desire would be less perfect than satisfaction, and it is in fact the stronger,—it gives birth to wit. And, indeed, they were perfectly happy; for enjoyment must always take something off happiness. Married in heaven alone, these two lovers admired each other in their purest aspect,—that of two souls incandescent, and united in celestial light, radiant to the eyes that faith has touched; and, above all, filled with the rapture which the brush of a Raphael, a Titian, a Murillo, has depicted, and which those who have ever known it, taste again as they gaze at those paintings. Do not such peerless spirits scorn the coarser joys lavished by the Sicilian singer—the material expression of that angelic union?
These noble thoughts were in the Prince’s mind as he reposed in heavenly calm on Massimilla’s cool, soft, white bosom, under the gentle radiance of her eyes veiled by long, bright lashes; and he gave himself up to this dream of an ideal orgy. At such a moment, Massimilla was as one of the Virgin visions seen in dreams, which vanish at cock-crow, but whom we recognize when we find them again in their realm of glory,—in the works of some great painters of Heaven.