And finally, a great English poet had rushed down on Venice like a raven on a corpse, to croak out in lyric poetry—the first and last utterance of social man—the burden of a de profundis. English poetry! Flung in the face of the city that had given birth to Italian poetry! Poor Venice!
Conceive, then, of the young man’s amazement when roused from such meditations by Carmagnola’s cry:
“Serenissimo, the palazzo is on fire, or the old Doges have risen from their tombs! There are lights in the windows of the upper floor!”
Prince Emilio fancied that his dream was realized by the touch of a magic wand. It was dusk, and the old gondolier could by tying up his gondola to the top step, help his young master to land without being seen by the bustling servants in the palazzo, some of whom were buzzing about the landing-place like bees at the door of a hive. Emilio stole into the great hall, whence rose the finest flight of stairs in all Venice, up which he lightly ran to investigate the cause of this strange bustle.
A whole tribe of workmen were hurriedly completing the furnishing and redecoration of the palace. The first floor, worthy of the antique glories of Venice, displayed to Emilio’s waking eyes the magnificence of which he had just been dreaming, and the fairy had exercised admirable taste. Splendor worthy of a parvenu sovereign was to be seen even in the smallest details. Emilio wandered about without remark from anybody, and surprise followed on surprise.
Curious, then, to know what was going forward on the second floor, he went up, and found everything finished. The unknown laborers, commissioned by a wizard to revive the marvels of the Arabian nights in behalf of an impoverished Italian prince, were exchanging some inferior articles of furniture brought in for the nonce. Prince Emilio made his way into the bedroom, which smiled on him like a shell just deserted by Venus. The room was so charmingly pretty, so daintily smart, so full of elegant contrivance, that he straightway seated himself in an armchair of gilt wood, in front of which a most appetizing cold supper stood ready, and, without more ado, proceeded to eat.
“In all the world there is no one but Massimilla who would have thought of this surprise,” thought he. “She heard that I was now a prince; Duke Cataneo is perhaps dead, and has left her his fortune; she is twice as rich as she was; she will marry me——”
And he ate in a way that would have roused the envy of an invalid Croesus, if he could have seen him; and he drank floods of capital port wine.
“Now I understand the knowing little air she put on as she said, ‘Till this evening!’ Perhaps she means to come and break the spell. What a fine bed! and in the bed-place such a pretty lamp! Quite a Florentine idea!”
There are some strongly blended natures on which extremes of joy or of grief have a soporific effect. Now on a youth so compounded that he could idealize his mistress to the point of ceasing to think of her as a woman, this sudden incursion of wealth had the effect of a dose of opium. When the Prince had drunk the whole of the bottle of port, eaten half a fish and some portion of a French pate, he felt an irresistible longing for bed. Perhaps he was suffering from a double intoxication. So he pulled off the counterpane, opened the bed, undressed in a pretty dressing-room, and lay down to meditate on destiny.