At the present day, Pierre Grassou, who never misses exhibiting at the Salon, passes in bourgeois regions for a fine portrait-painter. He earns some twenty thousand francs a year and spoils a thousand francs' worth of canvas. His wife has six thousand francs a year in dowry, and he lives with his father-in-law. The Vervelles and the Grassous, who agree delightfully, keep a carriage, and are the happiest people on earth. Pierre Grassou never emerges from the bourgeois circle, in which he is considered one of the greatest artists of the period. Not a family portrait is painted between the barrier du Trone and the rue du Temple that is not done by this great painter; none of them costs less than five hundred francs. The great reason which the bourgeois families have for employing him is this:—

"Say what you will of him, he lays by twenty thousand francs a year with his notary."

As Grassou took a creditable part on the occasion of the riots of May 12th he was appointed an officer of the Legion of honor. He is a major in the National Guard. The Museum of Versailles felt it incumbent to order a battle-piece of so excellent a citizen, who thereupon walked about Paris to meet his old comrades and have the happiness of saying to them:—

"The King has given me an order for the Museum of Versailles."

Madame de Fougeres adores her husband, to whom she has presented two children. This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter. And—oh! vengeance which dilates his heart!—he buys the pictures of celebrated artists who are pinched for means, and he substitutes these true works of arts that are not his own for the wretched daubs in the collection at Ville d'Avray.

There are many mediocrities more aggressive and more mischievous than that of Pierre Grassou, who is, moreover, anonymously benevolent and truly obliging.

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ADDENDUM

The following personages appear in other stories of the Human Comedy.

Bridau, Joseph
The Purse
A Bachelor's Establishment
A Distinguished Provincial at Paris
A Start in Life
Modeste Mignon
Another Study of Woman
Letters of Two Brides
Cousin Betty
The Member for Arcis
Cardot (Parisian notary)
The Muse of the Department
A Man of Business
Jealousies of a Country Town
The Middle Classes
Cousin Pons
Grassou, Pierre
A Bachelor's Establishment
Cousin Betty
The Middle Classes
Cousin Pons
Lora, Leon de
The Unconscious Humorists
A Bachelor's Establishment
A Start in Life
Honorine
Cousin Betty
Beatrix
Magus, Elie
The Vendetta
A Marriage Settlement
A Bachelor's Establishment
Cousin Pons
Schinner, Hippolyte
The Purse
A Bachelor's Establishment
A Start in Life
Albert Savarus
The Government Clerks
Modeste Mignon
The Imaginary Mistress
The Unconscious Humorists