"Yes, sir," answered the portress. She had lost her habitual assurance.
Something in the tones of a voice which strongly resembled the sounds of the little door-bell, something in a glance even sharper than the sharp green eyes of her future legal adviser, scared Mme. Cibot. Fraisier's presence so pervaded the room, that any one might have thought there was pestilence in the air; and in a flash Mme. Cibot understood why Mme. Florimond had not become Mme. Fraisier.
"Poulain told me about you, my dear madame," said the lawyer, in the unnatural fashion commonly described by the words "mincing tones"; tones sharp, thin, and grating as verjuice, in spite of all his efforts.
Arrived at this point, he tried to draw the skirts of his dressing-gown over a pair of angular knees encased in threadbare felt. The robe was an ancient printed cotton garment, lined with wadding which took the liberty of protruding itself through various slits in it here and there; the weight of this lining had pulled the skirts aside, disclosing a dingy-hued flannel waistcoat beneath. With something of a coxcomb's manner, Fraisier fastened this refractory article of dress, tightening the girdle to define his reedy figure; then with a blow of the tongs, he effected a reconciliation between two burning brands that had long avoided one another, like brothers after a family quarrel. A sudden bright idea struck him, and he rose from his chair.
"Mme. Sauvage!" called he.
"Well?"
"I am not at home to anybody!"
"Eh! bless your life, there's no need to say that!"
"She is my old nurse," the lawyer said in some confusion.
"And she has not recovered her figure yet," remarked the heroine of the Halles.