“Yes, wherever there are sentries they will present arms.”
Just at this moment Grindot was coming downstairs with Braschon. It had been arranged that after dinner, monsieur, madame, and mademoiselle were to enjoy a first sight of the new appartement; Braschon’s foreman was now nailing up the last brackets, and three men were lighting the rooms.
“It takes a hundred and twenty wax-candles,” said Braschon.
“A bill of two hundred francs at Trudon’s,” said Madame Cesar, whose murmurs were checked by a glance from the chevalier Birotteau.
“Your ball will be magnificent, Monsieur le chevalier,” said Braschon.
Birotteau whispered to himself, “Flatterers already! The Abbe Loraux urged me not to fall into that net, but to keep myself humble. I shall try to remember my origin.”
Cesar did not perceive the meaning of the rich upholsterer’s speech. Braschon made a dozen useless attempts to get invitations for himself, his wife, daughter, mother-in-law, and aunt. He called the perfumer Monsieur le chevalier to the door-way, and then he departed his enemy.
The rehearsal began. Cesar, his wife, and Cesarine went out by the shop-door and re-entered the house from the street. The entrance had been remodelled in the grand style, with double doors, divided into square panels, in the centre of which were architectural ornaments in cast-iron, painted. This style of door, since become common in Paris, was then a novelty. At the further end of the vestibule the staircase went up in two straight flights, and between them was the space which had given Cesar some uneasiness, and which was now converted into a species of box, where it was possible to seat an old woman. The vestibule, paved in black and white marble, with its walls painted to resemble marble, was lighted by an antique lamp with four jets. The architect had combined richness with simplicity. A narrow red carpet relieved the whiteness of the stairs, which were polished with pumice-stone. The first landing gave an entrance to the entresol; the doors to each appartement were of the same character as the street-door, but of finer work by a cabinet-maker.
The family reached the first floor and entered an ante-chamber in excellent taste, spacious, parquetted, and simply decorated. Next came a salon, with three windows on the street, in white and red, with cornices of an elegant design which had nothing gaudy about them. On a chimney-piece of white marble supported by columns were a number of mantel ornaments chosen with taste; they suggested nothing to ridicule, and were in keeping with the other details. A soft harmony prevailed throughout the room, a harmony which artists alone know how to attain by carrying uniformity of decoration into the minutest particulars,—an art of which the bourgeois mind is ignorant, though it is much taken with its results. A glass chandelier, with twenty-four wax-candles, brought out the color of the red silk draperies; the polished floor had an enticing look, which tempted Cesarine to dance.
“How charming!” she said; “and yet there is nothing to seize the eye.”