At the moment when Esther opened her door and appeared, hurriedly, wrapped in her dressing-gown, her bare feet in slippers, her hair in disorder, lovely enough to bring the angel Raphael to perdition, the drawing-room door vomited into the room a gutter of human mire that came on, on ten feet, towards the beautiful girl, who stood like an angel in some Flemish church picture. One man came foremost. Contenson, the horrible Contenson, laid his hand on Esther’s dewy shoulder.
“You are Mademoiselle van——” he began. Europe, by a back-handed slap on Contenson’s cheek, sent him sprawling to measure his length on the carpet, and with all the more effect because at the same time she caught his leg with the sharp kick known to those who practise the art as a coup de savate.
“Hands off!” cried she. “No one shall touch my mistress.”
“She has broken my leg!” yelled Contenson, picking himself up; “I will have damages!”
From the group of bumbailiffs, looking like what they were, all standing with their horrible hats on their yet more horrible heads, with mahogany-colored faces and bleared eyes, damaged noses, and hideous mouths, Louchard now stepped forth, more decently dressed than his men, but keeping his hat on, his expression at once smooth-faced and smiling.
“Mademoiselle, I arrest you!” said he to Esther. “As for you, my girl,” he added to Europe, “any resistance will be punished, and perfectly useless.”
The noise of muskets, let down with a thud of their stocks on the floor of the dining-room, showing that the invaders had soldiers to bake them, gave emphasis to this speech.
“And what am I arrested for?” said Esther.
“What about our little debts?” said Louchard.
“To be sure,” cried Esther; “give me leave to dress.”