“He again—he has made his escape!” muttered Rastignac to himself.
“Be silent or I murder you,” replied the mask, changing his voice. “I am satisfied with you, you have kept your word, and there is more than one arm ready to serve you. Henceforth be as silent as the grave; but, before that, answer my question.”
“Well, the girl is such a witch that she could have magnetized the Emperor Napoleon; she could magnetize a man more difficult to influence—you yourself,” replied Rastignac, and he turned to go.
“One moment,” said the mask; “I will prove to you that you have never seen me anywhere.”
The speaker took his mask off; for a moment Rastignac hesitated, recognizing nothing of the hideous being he had known formerly at Madame Vauquer’s.
“The devil has enabled you to change in every particular, excepting your eyes, which it is impossible to forget,” said he.
The iron hand gripped his arm to enjoin eternal secrecy.
At three in the morning des Lupeaulx and Finot found the elegant Rastignac on the same spot, leaning against the column where the terrible mask had left him. Rastignac had confessed to himself; he had been at once priest and pentient, culprit and judge. He allowed himself to be led away to breakfast, and reached home perfectly tipsy, but taciturn.
The Rue de Langlade and the adjacent streets are a blot on the Palais Royal and the Rue de Rivoli. This portion of one of the handsomest quarters of Paris will long retain the stain of foulness left by the hillocks formed of the middens of old Paris, on which mills formerly stood. These narrow streets, dark and muddy, where such industries are carried on as care little for appearances wear at night an aspect of mystery full of contrasts. On coming from the well-lighted regions of the Rue Saint-Honore, the Rue Neuve-des-Petits-Champs, and the Rue de Richelieu, where the crowd is constantly pushing, where glitter the masterpieces of industry, fashion, and art, every man to whom Paris by night is unknown would feel a sense of dread and melancholy, on finding himself in the labyrinth of little streets which lie round that blaze of light reflected even from the sky. Dense blackness is here, instead of floods of gaslight; a dim oil-lamp here and there sheds its doubtful and smoky gleam, and many blind alleys are not lighted at all. Foot passengers are few, and walk fast. The shops are shut, the few that are open are of a squalid kind; a dirty, unlighted wineshop, or a seller of underclothing and eau-de-Cologne. An unwholesome chill lays a clammy cloak over your shoulders. Few carriages drive past. There are sinister places here, especially the Rue de Langlade, the entrance to the Passage Saint-Guillaume, and the turnings of some streets.
The municipal council has not yet been to purge this vast lazar-place, for prostitution long since made it its headquarters. It is, perhaps, a good thing for Paris that these alleys should be allowed to preserve their filthy aspect. Passing through them by day, it is impossible to imagine what they become by night; they are pervaded by strange creatures of no known world; white, half-naked forms cling to the walls—the darkness is alive. Between the passenger and the wall a dress steals by—a dress that moves and speaks. Half-open doors suddenly shout with laughter. Words fall on the ear such as Rabelais speaks of as frozen and melting. Snatches of songs come up from the pavement. The noise is not vague; it means something. When it is hoarse it is a voice; but if it suggests a song, there is nothing human about it, it is more like a croak. Often you hear a sharp whistle, and then the tap of boot-heels has a peculiarly aggressive and mocking ring. This medley of things makes you giddy. Atmospheric conditions are reversed there—it is warm in winter and cool in summer.