Madame de Serizy had not made the mistake of coming to the Palais de Justice in her handsome carriage with a blue hammer-cloth and coats-of-arms, her coachman in gold lace, and two footmen in breeches and silk stockings. Just as they were starting Asie impressed on the two great ladies the need for taking the hackney coach in which she and the Duchess had arrived, and she had likewise insisted on Lucien’s mistress adopting the costume which is to women what a gray cloak was of yore to men. The Countess wore a plain brown dress, an old black shawl, and a velvet bonnet from which the flowers had been removed, and the whole covered up under a thick lace veil.

“You received our note?” said she to Camusot, whose dismay she mistook for respectful admiration.

“Alas! but too late, Madame la Comtesse,” replied the lawyer, whose tact and wit failed him excepting in his chambers and in presence of a prisoner.

“Too late! How?”

She looked at Monsieur de Granville, and saw consternation written in his face. “It cannot be, it must not be too late!” she added, in the tone of a despot.

Women, pretty women, in the position of Madame de Serizy, are the spoiled children of French civilization. If the women of other countries knew what a woman of fashion is in Paris, a woman of wealth and rank, they would all want to come and enjoy that splendid royalty. The women who recognize no bonds but those of propriety, no law but the petty charter which has been more than once alluded to in this Comedie Humaine as the ladies’ Code, laugh at the statutes framed by men. They say everything, they do not shrink from any blunder or hesitate at any folly, for they all accept the fact that they are irresponsible beings, answerable for nothing on earth but their good repute and their children. They say the most preposterous things with a laugh, and are ready on every occasion to repeat the speech made in the early days of her married life by pretty Madame de Bauvan to her husband, whom she came to fetch away from the Palais: “Make haste and pass sentence, and come away.”

“Madame,” said the public prosecutor, “Monsieur Lucien de Rubempre is not guilty either of robbery or of poisoning; but Monsieur Camusot has led him to confess a still greater crime.”

“What is that?” she asked.

“He acknowledged,” said Monsieur Camusot in her ear, “that he is the friend and pupil of an escaped convict. The Abbe Carlos Herrera, the Spaniard with whom he has been living for the last seven years, is the notorious Jacques Collin.”

Madame de Serizy felt as if it were a blow from an iron rod at each word spoken by the judge, but this name was the finishing stroke.