The frame was in keeping with this embodiment of a Rembrandt picture. The study, hung with a paper imitating green velvet, was shabbily furnished with a green divan, the cover of which was threadbare. A worn-out green carpet was on the floor. A large armchair of black leather, intended for clients, stood before the window, which was draped with green curtains. A desk chair of Roman shape, made in mahogany and covered with green morocco, was the doctor’s own seat.
Between the fireplace and the long table at which he wrote, a common iron safe stood against the wall, and on it was a clock of Viennese granite, surmounted by a group in bronze representing Cupid playing with Death, the present of a great German sculptor whom Halpersohn had doubtless cured. On the mantel-shelf was a vase between two candlesticks, and no other ornament. On either side of the divan were corner-buffets of ebony, holding plates and dishes, and Godefroid also noticed upon them two silver bowls, glass decanters, and napkins.
This simplicity, which amounted almost to bareness struck Godefroid, whose quick eye took it all in as he recovered his self-possession.
“Monsieur, I am, as you say, perfectly well myself; I have come on behalf of a woman to whom you were asked to pay a visit some time ago. She lives on the boulevard du Mont-Parnasse.”
“Ah! yes; the lady who has sent her son here several times. Well, monsieur, let her come here to me.”
“Come here!” repeated Godefroid, indignantly. “Monsieur, she cannot even be moved from her bed to a chair; they lift her with pulleys.”
“You are not a physician, I suppose?” said the Jewish doctor, with a singular grimace which made his face appear more wicked than it really was.
“If the Baron de Nucingen sent word that he was ill and wanted you to visit him, would you reply, ‘Let him come here to me’?”
“I should go to him,” said the Jew, coldly, spitting into a Dutch pot made of mahogany and full of sand.
“You would go,” said Godefroid, gently, “because the Baron de Nucingen has two millions a year, and—”