The Celibates

by Honoré de Balzac

Sustained by the influence of his mother-in-law and the bankers du Tillet and Nucingen, Monsieur Tiphaine was fortunate enough to do some service to the administration; he became one of its chief orators, was made judge in the civil courts, and obtained the appointment of his nephew Lesourd to his own vacant place as president of the court of Provins. This appointment greatly annoyed Desfondrilles. The Keeper of the Seals sent down one of his own proteges to fill Lesourd's place. The promotion of Monsieur Tiphaine and his translation to Paris were therefore of no benefit at all to the Vinet party; but Vinet nevertheless made a clever use of the result. He had always told the Provins people that they were being used as a stepping-stone to raise the crafty Madame Tiphaine into grandeur; Tiphaine himself had tricked them; Madame Tiphaine despised both Provins and its people in her heart, and would never return there again. Just at this crisis Monsieur Tiphaine's father died; his son inherited a fine estate and sold his house in Provins to Monsieur Julliard. The sale proved to the minds of all how little the Tiphaines thought of Provins. Vinet was right; Vinet had been a true prophet. These things had great influence on the question of Pierrette's guardianship.

Thus the dreadful martyrdom brutally inflicted on the poor child by two imbecile tyrants (which led, through its consequences, to the terrible operation of trepanning, performed by Monsieur Martener under the advice of Doctor Bianchon),—all this horrible drama reduced to judicial form was left to float in the vile mess called in legal parlance the calendar. The case was made to drag through the delays and the interminable labyrinths of the law, by the shufflings of an unprincipled lawyer; and during all this time the calumniated girl languished in the agony of the worst pain known to science.

Monsieur Martener, together with the Auffray family, were soon charmed by the beauty of Pierrette's nature and the character of her old grandmother, whose feelings, ideas, and ways bore the stamp of Roman antiquity,—this matron of the Marais was like a woman in Plutarch.

Doctor Martener struggled bravely with death, which already grasped its prey. From the first, Bianchon and the hospital surgeon had considered Pierrette doomed; and there now took place between the doctor and the disease, the former relying on Pierrette's youth, one of those struggles which physicians alone comprehend,—the reward of which, in case of success, is never found in the venal pay nor in the patients themselves, but in the gentle satisfaction of conscience, in the invisible ideal palm gathered by true artists from the contentment which fills their soul after accomplishing a noble work. The physician strains towards good as an artist towards beauty, each impelled by that grand sentiment which we call virtue. This daily contest wiped out of Doctor Martener's mind the petty irritations of that other contest of the Tiphaines and the Vinets,—as always happens to men when they find themselves face to face with a great and real misery to conquer.

Monsieur Martener had begun his career in Paris; but the cruel activity of the city and its insensibility to its masses of suffering had shocked his gentle soul, fitted only for the quiet life of the provinces. Moreover, he was under the yoke of his beautiful native land. He returned to Provins, where he married and settled, and cared almost lovingly for the people, who were to him like a large family. During the whole of Pierrette's illness he was careful not to speak of her. His reluctance to answer the questions of those who asked about her was so evident that persons soon ceased to put them. Pierrette was to him, what indeed she truly was, a poem, mysterious, profound, vast in suffering, such as doctors find at times in their terrible experience. He felt an admiration for this delicate young creature which he would not share with any one.

This feeling of the physician for his patient was, however, unconsciously communicated (like all true feelings) to Monsieur and Madame Auffray, whose house became, so long as Pierrette was in it, quiet and silent. The children, who had formerly played so joyously with her, agreed among themselves with the loving grace of childhood to be neither noisy nor troublesome. They made it a point of honor to be good because Pierrette was ill. Monsieur Auffray's house was in the Upper town, beneath the ruins of the Chateau, and it was built upon a sort of terrace formed by the overthrow of the old ramparts. The occupants could have a view of the valley from the little fruit-garden enclosed by walls which overlooked the town. The roofs of the other houses came to about the level of the lower wall of this garden. Along the terrace ran a path, by which Monsieur Auffray's study could be entered through a glass door; at the other end of the path was an arbor of grape vines and a fig-tree, beneath which stood a round table, a bench and some chairs, painted green. Pierrette's bedroom was above the study of her new guardian. Madame Lorrain slept in a cot beside her grandchild. From her window Pierrette could see the whole of the glorious valley of Provins, which she hardly knew, so seldom had she left that dreadful house of the Rogrons. When the weather was fine she loved to drag herself, resting on her grandmother's arm, to the vine-clad arbor. Brigaut, unable to work, came three times a day to see his little friend; he was gnawed by a grief which made him indifferent to life. He lay in wait like a dog for Monsieur Martener, and followed him when he left the house. The old grandmother, drunk with grief, had the courage to conceal her despair; she showed her darling the smiling face she formerly wore at Pen-Hoel. In her desire to produce that illusion in the girl's mind, she made her a little Breton cap like the one Pierrette had worn on her first arrival in Provins; it made the darling seem more like her childlike self; in it she was delightful to look upon, her sweet face circled with a halo of cambric and fluted lace. Her skin, white with the whiteness of unglazed porcelain, her forehead, where suffering had printed the semblance of deep thought, the purity of the lines refined by illness, the slowness of the glances, and the occasional fixity of the eyes, made Pierrette an almost perfect embodiment of melancholy. She was served by all with a sort of fanaticism; she was felt to be so gentle, so tender, so loving. Madame Martener sent her piano to her sister Madame Auffray, thinking to amuse Pierrette who was passionately fond of music. It was a poem to watch her listening to a theme of Weber, or Beethoven, or Herold,—her eyes raised, her lips silent, regretting no doubt the life escaping her. The cure Peroux and Monsieur Habert, her two religious comforters, admired her saintly resignation. Surely the seraphic perfection of young girls and young men marked with the hectic of death, is a wonderful fact worthy of the attention alike of philosophers and of heedless minds. He who has ever seen one of these sublime departures from this life can never remain, or become, an unbeliever. Such beings exhale, as it were, a celestial fragrance; their glances speak of God; the voices are eloquent in the simplest words; often they ring like some seraphic instrument revealing the secrets of the future. When Monsieur Martener praised her for having faithfully followed a harsh prescription the little angel replied, and with what a glance!—

"I want to live, dear Monsieur Martener; but less for myself than for my grandmother, for my Brigaut, for all of you who will grieve at my death."

The first time she went into the garden on a beautiful sunny day in November attended by all the household, Madame Auffray asked her if she was tired.

"No, now that I have no sufferings but those God sends I can bear all," she said. "The joy of being loved gives me strength to suffer."

That was the only time (and then vaguely) that she ever alluded to her horrible martyrdom at the Rogrons, whom she never mentioned, and of whom no one reminded her, knowing well how painful the memory must be.