To give that truth its true proportions we must transport the scene to the Rome of the middle ages, where a sublime young girl, Beatrice Cenci, was brought to the scaffold by motives and intrigues that were almost identical with those which laid our Pierrette in her grave. Beatrice Cenci had but one defender,—an artist, a painter. In our day history, and living men, on the faith of Guido Reni's portrait, condemn the Pope, and know that Beatrice was a most tender victim of infamous passions and base feuds.
We must all agree that legality would be a fine thing for social scoundrelism IF THERE WERE NO GOD.
ADDENDUM
The following personages appear in other stories of the Human Comedy.
Bianchon, Horace
Father Goriot
The Atheist's Mass
Cesar Birotteau
The Commission in Lunacy
Lost Illusions
A Distinguished Provincial at Paris
A Bachelor's Establishment
The Secrets of a Princess
The Government Clerks
A Study of Woman
Scenes from a Courtesan's Life
Honorine
The Seamy Side of History
The Magic Skin
A Second Home
A Prince of Bohemia
Letters of Two Brides
The Muse of the Department
The Imaginary Mistress
The Middle Classes
Cousin Betty
The Country Parson
In addition, M. Bianchon narrated the following:
Another Study of Woman
La Grande Breteche
Brigaut, Major
The Chouans
Desplein
The Atheist's Mass
Cousin Pons
Lost Illusions
The Thirteen
The Government Clerks
A Bachelor's Establishment
The Seamy Side of History
Modeste Mignon
Scenes from a Courtesan's Life
Honorine
Gouraud, General, Baron
Cousin Pons
Keller, Adolphe
The Middle Classes
Cesar Birotteau
Matifat, Mademoiselle
Cesar Birotteau
The Firm of Nucingen