At that moment the marquis and the count re-entered the ballroom behind Mademoiselle de Verneuil, who did not turn her head. If a mirror had not been there to inform her of Montauran’s presence, she would have known it from Madame du Gua’s face, which scarcely concealed, under an apparently indifferent air, the impatience with which she awaited the conflict which must, sooner or later, take place between the lovers. Though the marquis talked with the count and other persons, he heard the remarks of all the dancers who from time to time in the mazes of the quadrille took the place of Mademoiselle de Verneuil and her partner.
“Positively, madame, she came alone,” said one.
“She must be a bold woman,” replied the lady.
“If I were dressed like that I should feel myself naked,” said another woman.
“Oh, the gown is not decent, certainly,” replied her partner; “but it is so becoming, and she is so handsome.”
“I am ashamed to look at such perfect dancing, for her sake; isn’t it exactly that of an opera girl?” said the envious woman.
“Do you suppose that she has come here to intrigue for the First Consul?” said another.
“A joke if she has,” replied the partner.
“Well, she can’t offer innocence as a dowry,” said the lady, laughing.
The Gars turned abruptly to see the lady who uttered this sarcasm, and Madame du Gua looked at him as if to say, “You see what people think of her.”