My heart deceived me not—she lived there; the first castle that I saw on the slope of a hill was the dwelling that held her. As I sat beneath my nut-tree, the mid-day sun was sparkling on the slates of her roof and the panes of her windows. Her cambric dress made the white line which I saw among the vines of an arbor. She was, as you know already without as yet knowing anything, the Lily of this valley, where she grew for heaven, filling it with the fragrance of her virtues. Love, infinite love, without other sustenance than the vision, dimly seen, of which my soul was full, was there, expressed to me by that long ribbon of water flowing in the sunshine between the grass-green banks, by the lines of the poplars adorning with their mobile laces that vale of love, by the oak-woods coming down between the vineyards to the shore, which the river curved and rounded as it chose, and by those dim varying horizons as they fled confusedly away.
If you would see nature beautiful and virgin as a bride, go there of a spring morning. If you would still the bleeding wounds of your heart, return in the last days of autumn. In the spring, Love beats his wings beneath the broad blue sky; in the autumn, we think of those who are no more. The lungs diseased breathe in a blessed purity; the eyes will rest on golden copses which impart to the soul their peaceful stillness. At this moment, when I stood there for the first time, the mills upon the brooksides gave a voice to the quivering valley; the poplars were laughing as they swayed; not a cloud was in the sky; the birds sang, the crickets chirped,—all was melody. Do not ask me again why I love Touraine. I love it, not as we love our cradle, not as we love the oasis in a desert; I love it as an artist loves art; I love it less than I love you; but without Touraine, perhaps I might not now be living.
Without knowing why, my eyes reverted ever to that white spot, to the woman who shone in that garden as the bell of a convolvulus shines amid the underbrush, and wilts if touched. Moved to the soul, I descended the slope and soon saw a village, which the superabounding poetry that filled my heart made me fancy without an equal. Imagine three mills placed among islands of graceful outline crowned with groves of trees and rising from a field of water,—for what other name can I give to that aquatic vegetation, so verdant, so finely colored, which carpeted the river, rose above its surface and undulated upon it, yielding to its caprices and swaying to the turmoil of the water when the mill-wheels lashed it. Here and there were mounds of gravel, against which the wavelets broke in fringes that shimmered in the sunlight. Amaryllis, water-lilies, reeds, and phloxes decorated the banks with their glorious tapestry. A trembling bridge of rotten planks, the abutments swathed with flowers, and the hand-rails green with perennials and velvet mosses drooping to the river but not falling to it; mouldering boats, fishing-nets; the monotonous sing-song of a shepherd; ducks paddling among the islands or preening on the “jard,”—a name given to the coarse sand which the Loire brings down; the millers, with their caps over one ear, busily loading their mules,—all these details made the scene before me one of primitive simplicity. Imagine, also, beyond the bridge two or three farm-houses, a dove-cote, turtle-doves, thirty or more dilapidated cottages, separated by gardens, by hedges of honeysuckle, clematis, and jasmine; a dunghill beside each door, and cocks and hens about the road. Such is the village of Pont-de-Ruan, a picturesque little hamlet leading up to an old church full of character, a church of the days of the Crusades, such a one as painters desire for their pictures. Surround this scene with ancient walnut-trees and slim young poplars with their pale-gold leaves; dot graceful buildings here and there along the grassy slopes where sight is lost beneath the vaporous, warm sky, and you will have some idea of one of the points of view of this most lovely region.
I followed the road to Sache along the left bank of the river, noticing carefully the details of the hills on the opposite shore. At length I reached a park embellished with centennial trees, which I knew to be that of Frapesle. I arrived just as the bell was ringing for breakfast. After the meal, my host, who little suspected that I had walked from Tours, carried me over his estate, from the borders of which I saw the valley on all sides under its many aspects,—here through a vista, there to its broad extent; often my eyes were drawn to the horizon along the golden blade of the Loire, where the sails made fantastic figures among the currents as they flew before the wind. As we mounted a crest I came in sight of the chateau d’Azay, like a diamond of many facets in a setting of the Indre, standing on wooden piles concealed by flowers. Farther on, in a hollow, I saw the romantic masses of the chateau of Sache, a sad retreat though full of harmony; too sad for the superficial, but dear to a poet with a soul in pain. I, too, came to love its silence, its great gnarled trees, and the nameless mysterious influence of its solitary valley. But now, each time that we reached an opening towards the neighboring slope which gave to view the pretty castle I had first noticed in the morning, I stopped to look at it with pleasure.
“Hey!” said my host, reading in my eyes the sparkling desires which youth so ingenuously betrays, “so you scent from afar a pretty woman as a dog scents game!”
I did not like the speech, but I asked the name of the castle and of its owner.
“It is Clochegourde,” he replied; “a pretty house belonging to the Comte de Mortsauf, the head of an historic family in Touraine, whose fortune dates from the days of Louis XI., and whose name tells the story to which they owe their arms and their distinction. Monsieur de Mortsauf is descended from a man who survived the gallows. The family bear: Or, a cross potent and counter-potent sable, charged with a fleur-de-lis or; and ‘Dieu saulve le Roi notre Sire,’ for motto. The count settled here after the return of the emigration. The estate belongs to his wife, a demoiselle de Lenoncourt, of the house of Lenoncourt-Givry which is now dying out. Madame de Mortsauf is an only daughter. The limited fortune of the family contrasts strangely with the distinction of their names; either from pride, or, possibly, from necessity, they never leave Clochegourde and see no company. Until now their attachment to the Bourbons explained this retirement, but the return of the king has not changed their way of living. When I came to reside here last year I paid them a visit of courtesy; they returned it and invited us to dinner; the winter separated us for some months, and political events kept me away from Frapesle until recently. Madame de Mortsauf is a woman who would hold the highest position wherever she might be.”
“Does she often come to Tours?”
“She never goes there. However,” he added, correcting himself, “she did go there lately to the ball given to the Duc d’Angouleme, who was very gracious to her husband.”
“It was she!” I exclaimed.