The preceding meditation has proved that we possess in France a floating population of one million women reveling in the privilege of inspiring those passions which a gallant man avows without shame, or dissembles with delight. It is then among this million of women that we must carry our lantern of Diogenes in order to discover the honest women of the land.
This inquiry suggests certain digressions.
Two young people, well dressed, whose slender figures and rounded arms suggest a paver's tool, and whose boots are elegantly made, meet one morning on the boulevard, at the end of the Passage des Panoramas.
"What, is this you?"
"Yes, dear boy; it looks like me, doesn't it?"
Then they laugh, with more or less intelligence, according to the nature of the joke which opens the conversation.
When they have examined each other with the sly curiosity of a police officer on the lookout for a clew, when they are quite convinced of the newness of each other's gloves, of each other's waistcoat and of the taste with which their cravats are tied; when they are pretty certain that neither of them is down in the world, they link arms and if they start from the Theater des Varietes, they have not reached Frascati's before they have asked each other a roundabout question whose free translation may be this:
"Whom are you living with now?"
As a general rule she is a charming woman.
Who is the infantryman of Paris into whose ear there have not dropped, like bullets in the day of battle, thousands of words uttered by the passer-by, and who has not caught one of those numberless sayings which, according to Rabelais, hang frozen in the air? But the majority of men take their way through Paris in the same manner as they live and eat, that is, without thinking about it. There are very few skillful musicians, very few practiced physiognomists who can recognize the key in which these vagrant notes are set, the passion that prompts these floating words. Ah! to wander over Paris! What an adorable and delightful existence is that! To saunter is a science; it is the gastronomy of the eye. To take a walk is to vegetate; to saunter is to live. The young and pretty women, long contemplated with ardent eyes, would be much more admissible in claiming a salary than the cook who asks for twenty sous from the Limousin whose nose with inflated nostrils took in the perfumes of beauty. To saunter is to enjoy life; it is to indulge the flight of fancy; it is to enjoy the sublime pictures of misery, of love, of joy, of gracious or grotesque physiognomies; it is to pierce with a glance the abysses of a thousand existences; for the young it is to desire all, and to possess all; for the old it is to live the life of the youthful, and to share their passions. Now how many answers have not the sauntering artists heard to the categorical question which is always with us?