"How is it," I said, interrupting him, "that you have hit upon those admirable methods of deception which I was intending to describe in a Meditation entitled The Act of Putting Death into Life! Alas! I thought I was the first man to discover that science. The epigrammatic title was suggested to me by an account which a young doctor gave me of an excellent composition of Crabbe, as yet unpublished. In this work, the English poet has introduced a fantastic being called Life in Death. This personage crosses the oceans of the world in pursuit of a living skeleton called Death in Life—I recollect at the time very few people, among the guests of a certain elegant translator of English poetry, understood the mystic meaning of a fable as true as it was fanciful. Myself alone, perhaps, as I sat buried in silence, thought of the whole generations which as they were hurried along by life, passed on their way without living. Before my eyes rose faces of women by the million, by the myriad, all dead, all disappointed and shedding tears of despair, as they looked back upon the lost moments of their ignorant youth. In the distance I saw a playful Meditation rise to birth, I heard the satanic laughter which ran through it, and now you doubtless are about to kill it.—But come, tell me in confidence what means you have discovered by which to assist a woman to squander the swift moments during which her beauty is at its full flower and her desires at their full strength.—Perhaps you have some stratagems, some clever devices, to describe to me—"
The viscount began to laugh at this literary disappointment of mine, and he said to me, with a self-satisfied air:
"My wife, like all the young people of our happy century, has been accustomed, for three or four consecutive years, to press her fingers on the keys of a piano, a long-suffering instrument. She has hammered out Beethoven, warbled the airs of Rossini and run through the exercises of Crammer. I had already taken pains to convince her of the excellence of music; to attain this end, I have applauded her, I have listened without yawning to the most tiresome sonatas in the world, and I have at last consented to give her a box at the Bouffons. I have thus gained three quiet evenings out of the seven which God has created in the week. I am the mainstay of the music shops. At Paris there are drawing-rooms which exactly resemble the musical snuff-boxes of Germany. They are a sort of continuous orchestra to which I regularly go in search of that surfeit of harmony which my wife calls a concert. But most part of the time my wife keeps herself buried in her music-books—"
"But, my dear sir, do you not recognize the danger that lies in cultivating in a woman a taste for singing, and allowing her to yield to all the excitements of a sedentary life? It is only less dangerous to make her feed on mutton and drink cold water."
"My wife never eats anything but the white meat of poultry, and I always take care that a ball shall come after a concert and a reception after an Opera! I have also succeeded in making her lie down between one and two in the day. Ah! my dear sir, the benefits of this nap are incalculable! In the first place each necessary pleasure is accorded as a favor, and I am considered to be constantly carrying out my wife's wishes. And then I lead her to imagine, without saying a single word, that she is being constantly amused every day from six o'clock in the evening, the time of our dinner and of her toilet, until eleven o'clock in the morning, the time when we get up."
"Ah! sir, how grateful you ought to be for a life which is so completely filled up!"
"I have scarcely more than three dangerous hours a day to pass; but she has, of course, sonatas to practice and airs to go over, and there are always rides in the Bois de Boulogne, carriages to try, visits to pay, etc. But this is not all. The fairest ornament of a woman is the most exquisite cleanliness. A woman cannot be too particular in this respect, and no pains she takes can be laughed at. Now her toilet has also suggested to me a method of thus consuming the best hours of the day in bathing."
"How lucky I am in finding a listener like you!" I cried; "truly, sir, you could waste for her four hours a day, if only you were willing to teach her an art quite unknown to the most fastidious of our modern fine ladies. Why don't you enumerate to the viscountess the astonishing precautions manifest in the Oriental luxury of the Roman dames? Give her the names of the slaves merely employed for the bath in Poppea's palace: the unctores, the fricatores, the alipilarili, the dropacistae, the paratiltriae, the picatrices, the tracatrices, the swan whiteners, and all the rest. —Talk to her about this multitude of slaves whose names are given by Mirabeau in his Erotika Biblion. If she tries to secure the services of all these people you will have the fine times of quietness, not to speak of the personal satisfaction which will redound to you yourself from the introduction into your house of the system invented by these illustrious Romans, whose hair, artistically arranged, was deluged with perfumes, whose smallest vein seemed to have acquired fresh blood from the myrrh, the lint, the perfume, the douches, the flowers of the bath, all of which were enjoyed to the strains of voluptuous music."
"Ah! sir," continued the husband, who was warming to his subject, "can I not find also admirable pretexts in my solicitude for her heath? Her health, so dear and precious to me, forces me to forbid her going out in bad weather, and thus I gain a quarter of the year. And I have also introduced the charming custom of kissing when either of us goes out, this parting kiss being accompanied with the words, 'My sweet angel, I am going out.' Finally, I have taken measures for the future to make my wife as truly a prisoner in the house as the conscript in his sentry box! For I have inspired her with an incredible enthusiasm for the sacred duties of maternity."
"You do it by opposing her?" I asked.