“He is right,” said Joseph. “France is too proud of her heroes to let them be heroic elsewhere. Napoleon may return once more.”
However, to satisfy his mother, Philippe took up the dazzling idea of joining General Lallemand in the United States, and helping him to found what was called the Champ d’Asile, one of the most disastrous swindles that ever appeared under the name of national subscription. Agathe gave ten thousand francs to start her son, and she went to Havre to see him off. By the end of 1817, she had accustomed herself to live on the six hundred francs a year which remained to her from her property in the Funds; then, by a lucky chance, she made a good investment of the ten thousand francs she still kept of her savings, from which she obtained an interest of seven per cent. Joseph wished to emulate his mother’s devotion. He dressed like a bailiff; wore the commonest shoes and blue stockings; denied himself gloves, and burned charcoal; he lived on bread and milk and Brie cheese. The poor lad got no sympathy, except from Madame Descoings, and from Bixiou, his student-friend and comrade, who was then making those admirable caricatures of his, and filling a small office in the ministry.
“With what joy I welcomed the summer of 1818!” said Joseph Bridau in after-years, relating his troubles; “the sun saved me the cost of charcoal.”
As good a colorist by this time as Gros himself, Joseph now went to his master for consultation only. He was already meditating a tilt against classical traditions, and Grecian conventionalities, in short, against the leading-strings which held down an art to which Nature as she is belongs, in the omnipotence of her creations and her imagery. Joseph made ready for a struggle which, from the day when he first exhibited in the Salon, has never ceased. It was a terrible year. Roguin, the notary of Madame Descoings and Madame Bridau, absconded with the moneys held back for seven years from Madame Descoings’s annuity, which by that time were producing two thousand francs a year. Three days after this disaster, a bill of exchange for a thousand francs, drawn by Philippe upon his mother, arrived from New York. The poor fellow, misled like so many others, had lost his all in the Champ d’Asile. A letter, which accompanied the bill, drove Agathe, Joseph, and the Descoings to tears, and told of debts contracted in New York, where his comrades in misfortunes had indorsed for him.
“It was I who made him go!” cried the poor mother, eager to divert the blame from Philippe.
“I advise you not to send him on many such journeys,” said the old Descoings to her niece.
Madame Descoings was heroic. She continued to give the three thousand francs a year to Madame Bridau, but she still paid the dues on her trey which had never turned up since the year 1799. About this time, she began to doubt the honesty of the government, and declared it was capable of keeping the three numbers in the urn, so as to excite the shareholders to put in enormous stakes. After a rapid survey of all their resources, it seemed to the two women impossible to raise the thousand francs without selling out the little that remained in the Funds. They talked of pawning their silver and part of the linen, and even the needless pieces of furniture. Joseph, alarmed at these suggestions, went to see Gerard and told him their circumstances. The great painter obtained an order from the household of the king for two copies of a portrait of Louis XVIII., at five hundred francs each. Though not naturally generous, Gros took his pupil to an artist-furnishing house and fitted him out with the necessary materials. But the thousand francs could not be had till the copies were delivered, so Joseph painted four panels in ten days, sold them to the dealers and brought his mother the thousand francs with which to meet the bill of exchange when it fell due. Eight days later, came a letter from the colonel, informing his mother that he was about to return to France on board a packet from New York, whose captain had trusted him for the passage-money. Philippe announced that he should need at least a thousand francs on his arrival at Havre.
“Good,” said Joseph to his mother, “I shall have finished my copies by that time, and you can carry him the money.”
“Dear Joseph!” cried Agathe in tears, kissing her son, “God will bless you. You do love him, then, poor persecuted fellow? He is indeed our glory and our hope for the future. So young, so brave, so unfortunate! everything is against him; we three must always stand by him.”
“You see now that painting is good for something,” cried Joseph, overjoyed to have won his mother’s permission to be a great artist.