“My dear fellow,” said the Duc de Maufrigneuse one evening, to the new Comte de Brambourg, “I am sure that your addresses will be favorably received; but in order to marry Amelie de Soulanges, you must be free to do so. What have you done with your wife?”
“My wife?” said Philippe, with a gesture, look, and accent which Frederick Lemaitre was inspired to use in one of his most terrible parts. “Alas! I have the melancholy certainty of losing her. She has not a week to live. My dear duke, you don’t know what it is to marry beneath you. A woman who was a cook, and has the tastes of a cook! who dishonors me—ah! I am much to be pitied. I have had the honor to explain my position to Madame la Dauphine. At the time of the marriage, it was a question of saving to the family a million of francs which my uncle had left by will to that person. Happily, my wife took to drinking; at her death, I come into possession of that million, which is now in the hands of Mongenod and Sons. I have thirty thousand francs a year in the five per cents, and my landed property, which is entailed, brings me in forty thousand more. If, as I am led to suppose, Monsieur de Soulanges gets a marshal’s baton, I am on the high-road with my title of Comte de Brambourg, to becoming general and peer of France. That will be the proper end of an aide-de-camp of the Dauphin.”
After the Salon of 1823, one of the leading painters of the day, a most excellent man, obtained the management of a lottery-office near the Markets, for the mother of Joseph Bridau. Agathe was fortunately able, soon after, to exchange it on equal terms with the incumbent of another office, situated in the rue de Seine, in a house where Joseph was able to have his atelier. The widow now hired an agent herself, and was no longer an expense to her son. And yet, as late as 1828, though she was the directress of an excellent office which she owed entirely to Joseph’s fame, Madame Bridau still had no belief in that fame, which was hotly contested, as all true glory ever will be. The great painter, struggling with his genius, had enormous wants; he did not earn enough to pay for the luxuries which his relations to society, and his distinguished position in the young School of Art demanded. Though powerfully sustained by his friends of the Cenacle and by Mademoiselle des Touches, he did not please the Bourgeois. That being, from whom comes the money of these days, never unties its purse-strings for genius that is called in question; unfortunately, Joseph had the classics and the Institute, and the critics who cry up those two powers, against him. The brave artist, though backed by Gros and Gerard, by whose influence he was decorated after the Salon of 1827, obtained few orders. If the ministry of the interior and the King’s household were with difficulty induced to buy some of his greatest pictures, the shopkeepers and the rich foreigners noticed them still less. Moreover, Joseph gave way rather too much, as we must all acknowledge, to imaginative fancies, and that produced a certain inequality in his work which his enemies made use of to deny his talent.
“High art is at a low ebb,” said his friend Pierre Grassou, who made daubs to suit the taste of the bourgeoisie, in whose appartements fine paintings were at a discount.
“You ought to have a whole cathedral to decorate; that’s what you want,” declared Schinner; “then you would silence criticism with a master-stroke.”
Such speeches, which alarmed the good Agathe, only corroborated the judgment she had long since formed upon Philippe and Joseph. Facts sustained that judgment in the mind of a woman who had never ceased to be a provincial. Philippe, her favorite child, was he not the great man of the family at last? in his early errors she saw only the ebullitions of youth. Joseph, to the merit of whose productions she was insensible, for she saw them too long in process of gestation to admire them when finished, seemed to her no more advanced in 1828 than he was in 1816. Poor Joseph owed money, and was bowed down by the burden of debt; he had chosen, she felt, a worthless career that made him no return. She could not conceive why they had given him the cross of the Legion of honor. Philippe, on the other hand, rich enough to cease gambling, a guest at the fetes of Madame, the brilliant colonel who at all reviews and in all processions appeared before her eyes in splendid uniforms, with his two crosses on his breast, realized all her maternal dreams. One such day of public ceremony effaced from Agathe’s mind the horrible sight of Philippe’s misery on the Quai de l’Ecole; on that day he passed his mother at the self-same spot, in attendance on the Dauphin, with plumes in his shako, and his pelisse gorgeous with gold and fur. Agathe, who to her artist son was now a sort of devoted gray sister, felt herself the mother of none but the dashing aide-de-camp to his Royal Highness, the Dauphin of France. Proud of Philippe, she felt he made the ease and happiness of her life,—forgetting that the lottery-office, by which she was enabled to live at all, came through Joseph.
One day Agathe noticed that her poor artist was more worried than usual by the bill of his color-man, and she determined, though cursing his profession in her heart, to free him from his debts. The poor woman kept the house with the proceeds of her office, and took care never to ask Joseph for a farthing. Consequently she had no money of her own; but she relied on Philippe’s good heart and well-filled purse. For three years she had waited in expectation of his coming to see her; she now imagined that if she made an appeal to him he would bring some enormous sum; and her thoughts dwelt on the happiness she should feel in giving it to Joseph, whose judgment of his brother, like that of Madame Descoings, was so unfair.
Saying nothing to Joseph, she wrote the following letter to Philippe:—
To Monsieur le comte de Brambourg:
My dear Philippe,—You have not given the least little word of
remembrance to your mother for five years. That is not right. You
should remember the past, if only for the sake of your excellent
brother. Joseph is now in need of money, and you are floating in
wealth; he works, while you are flying from fete to fete. You now
possess, all to yourself, the property of my brother. Little
Borniche tells me you cannot have less than two hundred thousand
francs a year. Well, then, come and see Joseph. During your visit,
slip into the skull a few thousand-franc notes. Philippe, you owe
them to us; nevertheless, your brother will feel grateful to you,
not to speak of the happiness you will give
Your mother,
Agathe Bridau, nee Rouget
Two days later the concierge brought to the atelier, where poor Agathe was breakfasting with Joseph, the following terrible letter:—