The Two Brothers

by Honoré de Balzac

“Yes, Monsieur Jean.”

As the heir was about to make his declaration, he felt his tongue stiffen at the recollection of the dead man, just put away in his grave, and a doubt seized him as to what lengths his father’s benevolence might have gone. Flore, who was quite unable even to suspect his simplicity of mind, looked at her future master and waited for a time, expecting Jean-Jacques to go on with what he was saying; but she finally left him without knowing what to think of such obstinate silence. Whatever teaching the Rabouilleuse may have received from the doctor, it was many a long day before she finally understood the character of Jean-Jacques, whose history we now present in a few words.

At the death of his father, Jacques, then thirty-seven, was as timid and submissive to paternal discipline as a child of twelve years old. That timidity ought to explain his childhood, youth, and after-life to those who are reluctant to admit the existence of such characters, or such facts as this history relates,—though proofs of them are, alas, common everywhere, even among princes; for Sophie Dawes was taken by the last of the Condes under worse circumstances than the Rabouilleuse. There are two species of timidity,—the timidity of the mind, and the timidity of the nerves; a physical timidity, and a moral timidity. The one is independent of the other. The body may fear and tremble, while the mind is calm and courageous, or vice versa. This is the key to many moral eccentricities. When the two are united in one man, that man will be a cipher all his life; such double-sided timidity makes him what we call “an imbecile.” Often fine suppressed qualities are hidden within that imbecile. To this double infirmity we may, perhaps, owe the lives of certain monks who lived in ecstasy; for this unfortunate moral and physical disposition is produced quite as much by the perfection of the soul and of the organs, as by defects which are still unstudied.

The timidity of Jean-Jacques came from a certain torpor of his faculties, which a great teacher or a great surgeon, like Despleins, would have roused. In him, as in the cretins, the sense of love had inherited a strength and vigor which were lacking to his mental qualities, though he had mind enough to guide him in ordinary affairs. The violence of passion, stripped of the ideal in which most young men expend it, only increased his timidity. He had never brought himself to court, as the saying is, any woman in Issoudun. Certainly no young girl or matron would make advances to a young man of mean stature, awkward and shame-faced in attitude; whose vulgar face, with its flattened features and pallid skin, making him look old before his time, was rendered still more hideous by a pair of large and prominent light-green eyes. The presence of a woman stultified the poor fellow, who was driven by passion on the one hand as violently as the lack of ideas, resulting from his education, held him back on the other. Paralyzed between these opposing forces, he had not a word to say, and feared to be spoken to, so much did he dread the obligation of replying. Desire, which usually sets free the tongue, only petrified his powers of speech. Thus it happened that Jean-Jacques Rouget was solitary and sought solitude because there alone he was at his ease.

The doctor had seen, too late for remedy, the havoc wrought in his son’s life by a temperament and a character of this kind. He would have been glad to get him married; but to do that, he must deliver him over to an influence that was certain to become tyrannical, and the doctor hesitated. Was it not practically giving the whole management of the property into the hands of a stranger, some unknown girl? The doctor knew how difficult it was to gain true indications of the moral character of a woman from any study of a young girl. So, while he continued to search for a daughter-in-law whose sentiments and education offered some guarantees for the future, he endeavored to push his son into the ways of avarice; meaning to give the poor fool a sort of instinct that might eventually take the place of intelligence.

He trained him, in the first place, to mechanical habits of life; and instilled into him fixed ideas as to the investment of his revenues: and he spared him the chief difficulties of the management of a fortune, by leaving his estates all in good order, and leased for long periods. Nevertheless, a fact which was destined to be of paramount importance in the life of the poor creature escaped the notice of the wily old doctor. Timidity is a good deal like dissimulation, and is equally secretive. Jean-Jacques was passionately in love with the Rabouilleuse. Nothing, of course, could be more natural. Flore was the only woman who lived in the bachelor’s presence, the only one he could see at his ease; and at all hours he secretly contemplated her and watched her. To him, she was the light of his paternal home; she gave him, unknown to herself, the only pleasures that brightened his youth. Far from being jealous of his father, he rejoiced in the education the old man was giving to Flore: would it not make her all he wanted, a woman easy to win, and to whom, therefore, he need pay no court? The passion, observe, which is able to reflect, gives even to ninnies, fools, and imbeciles a species of intelligence, especially in youth. In the lowest human creature we find an animal instinct whose persistency resembles thought.

The next day, Flore, who had been reflecting on her master’s silence, waited in expectation of some momentous communication; but although he kept near her, and looked at her on the sly with passionate glances, Jean-Jacques still found nothing to say. At last, when the dessert was on the table, he recommenced the scene of the night before.

“You like your life here?” he said to Flore.

“Yes, Monsieur Jean.”

“Well, stay here then.”