The Village Rector

by Honoré de Balzac

“See what my parishioners have done to testify their gratitude to the lady of the manor,” he said, pointing to the line, which was really a road; “we can now drive up to the chateau. This piece of road has been made by them without costing you a penny, and two months hence we shall plant it with trees. Monseigneur will understand what trouble and care and devotion were needed to accomplish such a change.”

“Is it possible they have done that?” said the bishop.

“Without accepting any payment for their work, Monseigneur. The poorest put their hands into it, knowing that it would bring a mother among them.”

At the foot of the hill the travellers saw the whole population of the neighborhood, who were lighting fire-boxes and discharging a few guns; then two of the prettiest of the village girls, dressed in white, came forward to offer Madame Graslin flowers and fruit.

“To be thus received in this village!” she exclaimed, grasping the rector’s hand as if she stood on the brink of a precipice.

The crowd accompanied the carriage to the iron gates of the avenue. From there Madame Graslin could see her chateau, of which as yet she had only caught glimpses, and she was thunderstruck at the magnificence of the building. Stone is rare in those parts, the granite of the mountains being difficult to quarry. The architect employed by Graslin to restore the house had used brick as the chief substance of this vast construction. This was rendered less costly by the fact that the forest of Montegnac furnished all the necessary wood and clay for its fabrication. The framework of wood and the stone for the foundations also came from the forest; otherwise the cost of the restorations would have been ruinous. The chief expenses had been those of transportation, labor, and salaries. Thus the money laid out was kept in the village, and greatly benefited it.

At first sight, and from a distance, the chateau presents an enormous red mass, threaded by black lines produced by the pointing, and edged with gray; for the window and door casings, the entablatures, corner stones, and courses between the stories, are of granite, cut in facets like a diamond. The courtyard, which forms a sloping oval like that of the Chateau de Versailles, is surrounded by brick walls divided into panels by projecting buttresses. At the foot of these walls are groups of rare shrubs, remarkable for the varied color of their greens. Two fine iron gates placed opposite to each other lead on one side to a terrace which overlooks Montegnac, on the other to the offices and a farm-house.

The grand entrance-gate, to which the road just constructed led, is flanked by two pretty lodges in the style of the sixteenth century. The facade on the courtyard looking east has three towers,—one in the centre, separated from the two others by the main building of the house. The facade on the gardens, which is absolutely the same as the others, looks westward. The towers have but one window on the facade; the main building has three on either side of the middle tower. The latter, which is square like a campanile, the corners being vermiculated, is noticeable for the elegance of a few carvings sparsely distributed. Art is timid in the provinces, and though, since 1829, ornamentation has made some progress at the instigation of certain writers, landowners were at that period afraid of expenses which the lack of competition and skilled workmen rendered serious.

The corner towers, which have three stories with a single window in each, looking to the side, are covered with very high-pitched roofs surrounded by granite balustrades, and on each pyramidal slope of these roofs crowned at the top with the sharp ridge of a platform surrounded with a wrought iron railing, is another window carved like the rest. On each floor the corbels of the doors and windows are adorned with carvings copied from those of the Genoese mansions. The corner tower with three windows to the south looks down on Montegnac; the other, to the north, faces the forest. From the garden front the eye takes in that part of Montegnac which is still called Les Tascherons, and follows the high-road leading through the village to the chief town of the department. The facade on the courtyard has a view of the vast plains semicircled by the mountains of the Correze, on the side toward Montegnac, but ending in the far distance on a low horizon. The main building has only one floor above the ground-floor, covered with a mansarde roof in the olden style. The towers at each end are three stories in height. The middle tower has a stunted dome something like that on the Pavillon de l’Horloge of the palace of the Tuileries, and in it is a single room forming a belvedere and containing the clock. As a matter of economy the roofs had all been made of gutter-tiles, the enormous weight of which was easily supported by the stout beams and uprights of the framework cut in the forest.

Before his death Graslin had laid out the road which the peasantry had just built out of gratitude; for these restorations (which Graslin called his folly) had distributed several hundred thousand francs among the people; in consequence of which Montegnac had considerably increased. Graslin had also begun, before his death, behind the offices on the slope of the hill leading down to the plain, a number of farm buildings, proving his intention to draw some profit from the hitherto uncultivated soil of the plains. Six journeyman-gardeners, who were lodged in the offices, were now at work under orders of a head gardener, planting and completing certain works which Monsieur Bonnet had considered indispensable.