I went to Villenoix on the following day. The kind old man accompanied me to the gates of Blois. When we were out on the road to Villenoix, he stopped me and said:
"As you may suppose, I do not go there. But do not forget what I have said; and in Mademoiselle de Villenoix's presence affect not to perceive that Louis is mad."
He remained standing on the spot where I left him, watching me till I was out of sight.
I made my way to the château of Villenoix, not without deep agitation. My thoughts were many at each step on this road, which Louis had so often trodden with a heart full of hopes, a soul spurred on by the myriad darts of love. The shrubs, the trees, the turns of the winding road where little gullies broke the banks on each side, were to me full of strange interest. I tried to enter into the impressions and thoughts of my unhappy friend. Those evening meetings on the edge of the coombe, where his lady-love had been wont to find him, had, no doubt, initiated Mademoiselle de Villenoix into the secrets of that vast and lofty spirit, as I had learned them all some years before.
But the thing that most occupied my mind, and gave to my pilgrimage the interest of intense curiosity, in addition to the almost pious feelings that led me onwards, was that glorious faith of Mademoiselle de Villenoix's which the good priest had told me of. Had she in the course of time been infected with her lover's madness, or had she so completely entered into his soul that she could understand all its thoughts, even the most perplexed? I lost myself in the wonderful problem of feeling, passing the highest inspirations of passion and the most beautiful instances of self-sacrifice. That one should die for the other is an almost vulgar form of devotion. To live faithful to one love is a form of heroism that immortalized Mademoiselle Dupuis. When the great Napoleon and Lord Byron could find successors in the hearts of women they had loved, we may well admire Bolingbroke's widow; but Mademoiselle Dupuis could feed on the memories of many years of happiness, whereas Mademoiselle de Villenoix, having known nothing of love but its first excitement, seemed to me to typify love in its highest expression. If she were herself almost crazy, it was splendid; but if she had understood and entered into his madness, she combined with the beauty of a noble heart a crowning effort of passion worthy to be studied and honored.
When I saw the tall turrets of the château, remembering how often poor Lambert must have thrilled at the sight of them, my heart beat anxiously. As I recalled the events of our boyhood, I was almost a sharer in his present life and situation. At last I reached a wide, deserted courtyard, and I went into the hall of the house without meeting a soul. There the sound of my steps brought out an old woman, to whom I gave a letter written to Mademoiselle de Villenoix by Monsieur Lefebvre. In a few minutes this woman returned to bid me enter, and led me to a low room, floored with black-and-white marble; the Venetian shutters were closed, and at the end of the room I dimly saw Louis Lambert.
"Be seated, monsieur," said a gentle voice that went to my heart.
Mademoiselle de Villenoix was at my side before I was aware of her presence, and noiselessly brought me a chair, which at first I would not accept. It was so dark that at first I saw Mademoiselle de Villenoix and Lambert only as two black masses perceived against the gloomy background. I presently sat down under the influence of the feeling that comes over us, almost in spite of ourselves, under the obscure vault of a church. My eyes, full of the bright sunshine, accustomed themselves gradually to this artificial night.
"Monsieur is your old school-friend," she said to Louis.
He made no reply. At last I could see him, and it was one of those spectacles that are stamped on the memory for ever. He was standing, his elbows resting on the cornice of the low wainscot, which threw his body forward, so that it seemed bowed under the weight of his bent head. His hair was as long as a woman's, falling over his shoulders and hanging about his face, giving him a resemblance to the busts of the great men of the time of Louis XIV. His face was perfectly white. He constantly rubbed one leg against the other, with a mechanical action that nothing could have checked, and the incessant friction of the bones made a doleful sound. Near him was a bed of moss on boards.