“Remember the widow Scarron.”
“She was a d’Aubigne. Besides, the marriage was in secret. But I am very old, my son,” she said, shaking her head. “When I am no more you can, as you say, marry whom you please.”
Savinien both loved and respected his mother; but he instantly, though silently, set himself in opposition to her with an obstinacy equal to her own, resolving to have no other wife than Ursula, to whom this opposition gave, as often happens in similar circumstances, the value of a forbidden thing.
When, after vespers, the doctor, with Ursula, who was dressed in pink and white, entered the cold, stiff salon, the girl was seized with nervous trembling, as though she had entered the presence of the queen of France and had a favor to beg of her. Since her confession to the doctor this little house had assumed the proportions of a palace in her eyes, and the old lady herself the social value which a duchess of the Middle Ages might have had to the daughter of a serf. Never had Ursula measured as she did at that moment the distance which separated Vicomte de Portenduere from the daughter of a regimental musician, a former opera-singer and the natural son of an organist.
“What is the matter, my dear?” said the old lady, making the girl sit down beside her.
“Madame, I am confused by the honor you have done me—”
“My little girl,” said Madame de Portenduere, in her sharpest tone. “I know how fond your uncle is of you, and I wished to be agreeable to him, for he has brought back my prodigal son.”
“But, my dear mother,” said Savinien cut to the heart by seeing the color fly into Ursula’s face as she struggled to keep back her tears, “even if we were under no obligations to Monsieur le Chevalier Minoret, I think we should always be most grateful for the pleasure Mademoiselle has given us by accepting your invitation.”
The young man pressed the doctor’s hand in a significant manner, adding: “I see you wear, monsieur, the order of Saint-Michel, the oldest order in France, and one which confers nobility.”
Ursula’s extreme beauty, to which her almost hopeless love gave a depth which great painters have sometimes conveyed in pictures where the soul is brought into strong relief, had struck Madame de Portenduere suddenly, and made her suspect that the doctor’s apparent generosity masked an ambitious scheme. She had made the speech to which Savinien replied with the intention of wounding the doctor in that which was dearest to him; and she succeeded, though the old man could hardly restrain a smile as he heard himself styled a “chevalier,” amused to observe how the eagerness of a lover did not shrink from absurdity.